Life, 1914-09-10 · page 37 of 48
Life — September 10, 1914 — page 37: what you’re looking at
What you’re looking at
This page contains two distinct elements: **Left side:** A political defense of William Jennings Bryan, who appears to be Secretary of State. The article responds to widespread criticism by listing charges against him—neglecting duties for paid Chautauqua lectures, bungling foreign relations, indifference to American citizens' rights in Mexico—but argues these claims lack substantiation. It defends Bryan as honest and clean, and credits him with promoting peace. The tone suggests Bryan was a controversial figure facing orchestrated attacks, with the article implying critics are hypocritically ignoring similar failures by previous Republican administrations. **Right side:** An advertisement for the Angelus Player Piano, featuring a photograph of dancer Lydia Lopokowa and endorsements from famous dancers (Lopokowa, Kyasht, Pavlova). The ad emphasizes the piano's responsiveness to nuance and tempo—qualities essential for accompanying classical dance. The juxtaposition appears coincidental rather than satirical; the page mixes political commentary with unrelated advertising.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
nine ppar- dded ities. € on , the laid d up “I'm Why after ‘T've this ll go old What Is the Matter with Mr.- Bryan? GREAT many people have ex- pressed, and doubtless will con- tinue to express, dissatisfaction with Mr. Bryan. His personality, which car- ries upon its surface certain undoubted crudities, offers a fair mark for hostile critics, especially when so many of these critics have been lying awake nights trying to locate soft spots in the present administration. But after all the sweeping denun- ciations of Mr. Bryan, most of them as general as they are defamatory, is there anything accurately definite enough to constitute a sum total of charges to his discredit? The counts against him seem to be about as follows: That his foreign appointments were grounded in personal and _ political motives. That he has neglected his official duties in order to deliver undignified Chautauqua lectures for money to increase his income. That he has bungled our foreign re- lations. That he has been indifferent to the rights of American citizens in Mexico and abroad. That, in general, he is entirely un- fitted for his job. None of these charges, which have all been exploited in the press, appears to be substantiated by facts. It would require but a superficial survey of the history of former Republican adminis- trations to discover that tactical Dlunders, errors in political appoint- ments, double dealing, incompetence and chicanery are by no means new in our political history. On the other hand, nobody has any reason to doubt that Mr. Bryan is honest, that he is clean, and that he has been one of the most potent factors for peace on this continent. There is, indeed, noth- ing to show that our foreign relations are not to-day upon a better basis than ever before. Mr. Bryan has the dis- advantage of being a splendid subject for newspaper talk and jest, and a more or less grotesque picture of him -“The ANGELUS is the most artistic and delightful Player I have ever heard or used” —Lydia Lopoukowa. NO severer test of the wonderful possibilities of the Angelus Player-Piano can be im- agined than its use in connection with interpreta- tions of classic. dances, The thousand instan- taneous variations of tempo and rhythm which must be met; the necessity for following every mood and movement of the Danseuse, require a degree of responsiveness only possible with the Angelus. Ieis best expressed in the words of the artist herself: “You wish my opinion of the Angelus I gladly give 2 iearmoch a 1 we it for my work ia tebesrving say dances. The control of the tempo, the shading, what [ call ‘nuances’ is almost ‘beyond belief. ‘The different parts that you call the Phras- ing Lever, the Melodant and the Diaphragm Paeumatics, all help to make the Angchs t most artistic tful player-piano | have ever heard or Yours very truly, Lydia Lopoukowa.”’ ‘Three of the world’s most famous exponents of the classic dance, Lopoukowa, Kyasht and Pavlowa unite in proclaiming the superiority of the Angelus. Its marvelous response to every nuance—by means of the Phrasing Lever; its exquisite deli- cacy of touch, through the Diaphragm Pneumatics, and its unrivalled control of melodic accentuation through the Melodant (all exclusive Angelus fea- tures) proclaim it the premier player of the world. A love of music is all you need to play the Angelus. Finger skill is not necessary—The Angelus will supply you with technical ability. By means of its simple expression devices you can play any music and play it well. You have not realized one of life's sweetest joys until you have had this pleasure. Knabe-An anda and Uprieht, Lindeman & Sons-Angelus—Upraits. Angelus Piano—An upright made exprenly for the In Canada—The Gourlay-Angelus and Angelus Piano, Any of these instruments can be played by hand in the wnual manser. The WILCOX & WHITE CO., Meriden, Conn. Business Established 1877 233 REGENT STREET. LONDON Agencies all overthe world Telegraph our expense for address of nearest retresentative Away from the ordinary in Style and Quality Tut TRALNON provrots the epee tn mating and materi. Of Gow rounded diamond crown, edge revellk Haed Has 4® fs Aen Stee eae, Pa. has, through this journalistic irrespon- sibility, been gradually built up in the public mind. This conception of him has, unfortunately, been fostered by his own defects. His very simplicity has a certain inelegance; his curves are such that no cosmopolitan veneer sticks to him, and he appears to be deficient in a certain sort of useful Machiavel- lian: hypocrisy. He lacks a sense of the public fitness of things, and his errors in taste ‘are often intensely exasperating. He is also doubtless de- ficient in that sort of clerical applica- tion which comes from long appren- ticeship to commercial technique. But every diplomat in Europe has these qualities, and in the tug of war what do they amount to? And isn't Mr. Bryan's scorn of dissembling, his insistence upon peace, his moral sim- plicity really worth while reflecting upon just now as a very important asset of no mean value to: Uncle Sam? comicbooks.com