Life, 1913-11-06 · page 24 of 56
Life — November 6, 1913 — page 24: what you’re looking at
What you’re looking at
This page contains two distinct elements: **"Our Congratulations" Editorial**: A satirical essay congratulating women on their improved twentieth-century status. The author praises women's expanded opportunities—cultural campaigns, political movements, educational pursuits—while maintaining a patronizing tone. The satire lies in the backhanded nature of the compliment: women are praised for having "fewer responsibilities than at any previous period" while juggling more activities, suggesting they've gained busy-work rather than genuine power or equality. **Illustrations**: The top image shows monkeys swinging on a vine labeled "The Original 'Bridge' Party"—likely mocking the popular card game bridge as frivolous entertainment. The lower image, captioned "The Picknickers: Engaged and Married," appears to be a genre scene but its specific satirical point is unclear from the visible portion. **Musical Calendar**: Lists upcoming Boston concert performances for November, including opera and symphony offerings. The page reflects early-twentieth-century attitudes toward women's roles—ostensibly progressive while remaining fundamentally skeptical of female liberation.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Our Congratulations S we look a little more micro- scopically at the twentieth cen- tury, it is impossible to withhold the congratulations due woman for the most enviable position in it which she occupies. Never in all the long reach of our historical erudition has there been a time when so many variegated benefits were showered upon this in- tegral ingredient of the human race. Not that woman hasn't always had her way and her say in many things, sometimes for the asking, oftentimes without asking, occasionally, no doubt, for the teasing or the skilful appl tion of well-known diplomatic criteria. But as the twentieth century presents itself for inspection in the dress ade of the women ages, we sce with everything they had before and everything clse in’ addition With fewer responsibilities than at any previous period, more different activi- ties center about woman than would thereto. have seemed possible a decade or two There is no end to them: cul- movements, ago. tural campaigns, militant orientating oratory, pre ganda, emancipatory uplifting undertakings, itions, millennial millinery manifes- tations nd many other cognate phenomena in endless permutation and combination. We sometimes really wonder whether woman is wholly aware of what a wholesome and wonderful awakening this wry world has wit- It is most gratifying. sive propa effervescences. sartorial sen- nessed. ‘AL “BRIDGE” PARTY Life’s Musical Calendar ber 4, Century Opera 'S opening performance of Lucia di Lammermoor”. The glish version of what was ori nally 'a Scotch story, but sadly disguised. 6 the” impossible art old-style Italian oper. Thursday, Opening ¢ chestra un progra Pi and Wa ities of ovember 6, Carnegie Hall.— hcert of the Boston Symphony Or- ler Dr. Karl Muck: ” A classical voted to the works of Br ner, with Beethoven's S Ler 7. Acolian Hall (After: he New York ‘Symphony Orchestra humann programme, with M 's interpretation of the illiant A_minor concerto. ening).--Song recital by Evan Will: jams, a straightforward tenor of the Amer ican type, who depends upon a really Jeautiful voice rather than on the affectations of so-called “art”. Saturday, November 8, Carnegie. Hall (Afternoon).—Second concert of Dr. Mack's Boston Orchestra, presenting, by way of con- trast, a series of ‘modern orchestral composi- tions. The programme includes Glazounoff’s Fifth Symphony, and minor works of Grieg, Dvorak and César_ Franck. Aeolian Hall.—The first of a series of concerts by the Longy Modern Chamber Music Society, presenting unfamiliar com- positions for strings and wood-wind. Sunday, November 9, Aeolian Hall (After- noon).—A repetition of the Schumann pro- gramme by the New York Symphony Or- chestra, Mr. Walter Damrosch and Mr. Josef Hofmann. Century Opera House.—The Aborn version of a popular concert, having for its mott “Play only those things which the audience already knows by heart.” +The correctness of this theory is proved by the size and enthu: siasm of the crowd. Monday, November 10, Century Opera House.—" Luci di Lammermoor” in its original Italian, a merciful veil to the dra- matic absurdities of THE PICKNICKERS ENGAGED AND MARRIED comicbooks.com