Life, 1913-09-25 · page 13 of 43
Life — September 25, 1913 — page 13: what you’re looking at
What you’re looking at
This cartoon satirizes **consumer culture and commercial manipulation**. The illustration shows elegantly dressed figures examining or arranging various commercial products and advertisements spread before them—newspapers, prints, and packaged goods dominate the composition. The title "Fresh Every Hour" appears to mock how modern marketing constantly repackages and recycles the same products or ideas, presenting them as perpetually "new." The figures seem almost hypnotized or obsessively engaged with consumption, suggesting satire about how advertising creates artificial desire. This reflects early 20th-century *Life* magazine's recurring critique: the relentless nature of American commercial culture and advertising's power to manipulate consumer behavior by presenting manufactured novelty as genuine freshness.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
“FRESH EVERY Solution Wanted WANTED Solution to the Race Problem. This problem has hothered us long enough. Must have solution at once, Lynching, assimila- tion, democracy and other proposals have been tried without success. Solu- tion must make it clear how the South can continue to enslave the negro with- out violating the Constitution of the United States, and how the North can continue to profess a love for the negro without allowing him to enter into active competition, The solution must show, in short, how the shrewd American Northerner and Southerner can continue to get all the advantages from the importation of an unassimil- able race without getting any of the disadvantages. This is not so difficult 513 Fantasy AM the priestess of the sun— I am the goddess of the shade— When day is new, when day is done, I haunt the hidden forest glade. Beneath the shining silver leaves That tremble in a glow so wan, Where white and pure, in fairy sheaves, The sunlight falls—I drink the dawn. Oh, fantasies, so strange and fair! Oh, maidens’ timid dreams of love! They thrill me—thrill me everywhere, When the slow morn is pale above. And, in the golden dusk of night, When the last gleam above the trees Shines, in a yellow flame of light That lingers on the ev’ning breeze, I lic, amid the growing dark, The deeper hush, the afterglow, And drink the day's last amber spark— And, oh, the ecstasy 1 know! Oh, purple shadows, deep as wine, Oh, eager lips that close and cling, Your whispered happiness is mine, Your throbbing hearts the songs I sing! I am the soul of morning glow, I am the spirit of the dusk. To me all human passions flow Soft on the air as myrrh and musk! Leolyn Louise Hour” as it sounds. It is certainly no more difficult, than the tariff or the cur- rency. Suitable reward to right party. Address, Servitude, Washing- ton, B. T. Culture and Agriculture The history of all human progre: shows that the art of any period so to speak, the flowering of that period. The bloom appears only after stem and stalk have shot to their full growth and leaves have expanded and darkened to their ma- Mr. Robert Sterling Yard, The Century. {1S is all very beautiful and ad- mirable in its poetic reach, but it is plain to be seen that Mr. Yard has never raised tomatoes. “TT BEATS DER DEUCE HOW ‘DOSE LOOK- IN’ GLASSES KIN MAKE A FELLER LOOK LIKE A FREAK comicbooks.com