Life, 1911-08-03 · page 34 of 40
Life — August 3, 1911 — page 34: what you’re looking at
What you’re looking at
This is a humorous travel essay by an American visitor to Verona, Italy, not a political cartoon. The author (likely Mark Twain, given the byline "Bill Nye" visible at bottom) employs satirical wit comparing the ancient Italian city to Chicago. The humor derives from mock-serious observations: Verona's amphitheater resembles a skating rink; its famous library contains "rejected manuscripts"; he examines a 1,700-year-old copy of sentimental poem "Beautiful Snow"; he judges wine age by how old he *feels* the next day. The satire mocks American provincialism—comparing Verona unfavorably to Chicago, dismissing European customs, and applying American standards (church fairs, ice cream) as measures of civilization. The cartoon at bottom illustrates the essay's theme of finding profound meaning in overlooked antiquity, captioned "Life, Liberty and the Pursuit of Happiness."
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
sy a Ges) os Verona We arrived in Verona day before yesterday. Most everyone has heard of the Two Gentlemen of Verona This is the place they came from. They have never re- turn Verona is not noted for its gentlemen now. Per- haps taat is the reason why I was regarded as such a curiosity when I came here. is a good deal older town than Chicago, but ies have points of resemblance after all. When the Southern Simoon from the stockyards is wafted across the vinegar orchards of Chicago and a load of Mormon emigrants get out at the Rock Island depot and begin to move around, it reminds one of Verona. The sky is similar, too. At night, when it is raining hard, the sky of Chicago and Verona is not dissimilar. Chicago is the larger place, however, and my sympathies are with her. Verona has about 68,000 people now, aside from myself. This census includes foreigners and Indians not taxed. Verona has an ancient skating rink, known in history as the amphitheatre. It is 404% feet by 516 feet in size, and the wall is still 100 feet high in places. The people of Verona wanted me to lecture there, but I refrained. I was afraid that some late comers might elbow their way in and leave one end of the amphitheatre open, and then there would be a draft. I will speak more fully on the subject of amphitheatres in another letter, There isn’t room in this one. Verona is noted for the Capitular Library, as it is called. It is said to be the largest collection of rejected manuscripts in the world. 1 stood in with the librarian and he gave me an opportunity to examine this wonderful store of literary work. I found Virgil, that was certainly over 1,600 years old. I also found a well preserved copy of “Beautiful Sno I read it. It was very touching, indeed. Experts said it was 1,700 years old, which is no doubt correct. I am no judge of MSS. Some can look at.the teeth of a literary production and tell within two weeks of the age how old it is, but I can’t. You can also fool me on-the age of wine. My rule used to be to ob- serve how old I felt the next day and fix that as the age of the wine, but this rule I find is not infallible. One time I found myself feeling the next day as though I might be 138 years old, but on investigation we found that the wine was extremely new, having been made in a drug store in Cheyenne on the same day. Looking these venerable MSS. over I noticed that the custom of writing with a violet pencil on both sides of a large foolscap sheet, and then folding it in sixteen direc- tions and carrying it around in the pocket for two or three centuries, is not a late American invention, as I had been led to suppose. They did it in Italy fifteen centuries ago. I was permitted also to examine the celebrated Institutes of Gains. Gains was a poor penman, and I am convinced from a close examination of his work that he was in the habit of carrying his manuscript round in his pocket with his smoking tobacco. The guide said that was impossible, for smoking tobacco was not introduced into Italy until a comparatively late day. That's all right, however, you can’t fool me much on the odor of smoking tobacco. The churches of Verona are numerous, and, although they seem to me a little different from our own in many ways, they resemble ours in others. One thing that pleased me about the churches of Verona was the total absence of the church fair as conducted in America. Salvation seems to be handed out in Verona without ice-cream and cake, and the odor of sanctity and stewed oysters do not go in- evitably hand in hand. I have already been in the place more than two days and 1 have not yet been invited to lift the old church debt on the cathedral. Perhaps they think I am not wealthy, however. In fact, there is nothing about my dress or manner that would betray my wealth. I have been in Europe now six weeks and have kept my secret well. The cathedral is a most imposing and massive pile. I quote this from the guide book. The beautiful structure contains a baptismal font cut out of one block of solid stone and made for immersion, with an inside diameter of 10 feet. A man, 9 feet high, could be baptized there without injury. The Venetians have a great respect for water. They believe it ought not to be used for anything else but to wash away sins, and even then they are eco- nomical about it. There is a nice picture here by Titian. It looks as though it had been left in the smoke house 900 years and overlooked. Titian painted a great deal. You find his works here ever and anon. He must have had all he could do in Italy in an early day, when the country was new. like his pictures first rate, but I haven’t found one yet that I could secure at anything like a bedrock price.—Bill Nye. “LIFE,” LIDERTY AND THE PURSUIT OF HAPPINESS comicbooks.com