Life, 1909-01-07 · page 47 of 60
Life — January 7, 1909 — page 47: what you’re looking at
What you’re looking at
This page contains deeply antisemitic editorial content alongside advertisements, typical of early 20th-century American publications. **The Main Article ("The Worst Enemy of the Theatre"):** The text is an explicit antisemitic screed blaming Jewish theater producers for commercializing sex and "lowering" American theatrical standards. The author claims Jewish impresarios exploit "baser instincts" and contrasts their success unfavorably with French theater. This represents period prejudice depicting Jewish businesspeople as morally corrupting influences on entertainment. **The Advertisement:** The right side features a Gillette Safety Razor ad emphasizing secure blade positioning—unrelated to the editorial content. **Historical Context:** This reflects widespread early 1900s antisemitic attitudes in American media, where Jewish success in entertainment was framed as cultural contamination rather than achievement. Such rhetoric contributed to broader discriminatory practices of that era. Modern readers should recognize this as historical evidence of institutional antisemitism, not as valid social commentary.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
e class Bobby ed and rid o° mother. 0 your The Worst Enemy of the Theatre I do not say that the Jew discovered sex, but he certainly hit upon its commercial value in ection with the drama. Something of this, of course, was known before; it remained for the Jew, with his infallible instinct for the weak- ness of human nature—an Eastern gift, by the way.to develop it to the full; in short, to get the business out of it. That he has done this, no competent observer will deny. In the the- controlled by him, vaudeville or what-not, we get nothing but sexualized entertainment that makes its covert or frank appeal to the baser incts. His genius for business and management enables him to spread the contagion far and wide. All the country over, from the big city to the “ one- horse town,” you find the same kind of show and the same kind of acting and the same kind of fellow in the box-office counting the mone} I pass over the legends explanatory of the pro- jection of certain beefy and brainless bayaderes who haven't abilities above dish- But the earnest student of the drama may well be puzzled that a country like ours, which is notably poor in all that concerns true art, should have some dozens of women ex- ploited as great actresses and heading their own companies, while in France where the art of the theatre is carried to the highest excellence, we tion of only two or three famous rhe explanation probably is that art while the Jew makes ored country. . « . ago I dropped into one of the finest New York. I turned to the mag- the like of which Shakespeare never saw or even dreamed. Thereon a large young woman was exhibiting her flesh—most of ‘tress in Franc —and singing a vaudeville song in the color- less, unlovely voice that seems to belong to all “artists ’ of this type. Between verses She kicked and danced with as much suggestion as she could command—of art or true grace there was nothing at all. She varied her act a little by reciting a few “ gags,"’ more or less flippant and smutty, in that exasperating phonograph \oice of the female vaudevillian. Her perform. Will You Accept This Business Book if We Send it Free? Sign and mail the coupon below. Send no money? Take no risk! One hundred and twelve of the world's master business ten have written ten books—2,079 pages—1,407 vital business ideas, methods. 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You can slide it in position—the diffi- culty is to keep it there! Clamps and springs are uncertain A spring weakens with us ‘There must be no variation—no vibration— nothing left to chance. You can’t be trusted always to that you have placed the blade exactly in alignment. There must be something to pre- vent your placing it any other way— something to insure the blade being New York, Times Bldg. Chicago, Stock Exchange Bldg. Factorte: NO STROPPING NO HONING Gillette GILLETTE SALES Co, Kimball Bldg., Boston Boston, Montreal, London, Berlin, Paris ance was, in her own dialect, “ rotten,"’ but she seemed, nevertheless, to have made a hit and was recalled several times, I noticed that most of the applause came from many Jews of the typical commercial type in the best orchestra seats. And then I knew. . . . I have said that I am no Jew-hater. There- fore I may be allowed to say, without prejudice, that the Jew must be called off from his present work of degrading the stage. Kipling warns us that “East is East and West is West, but never the twain shall meet.’* To the Jew of the spe- cies under analysis, sex is everything—except the money. He: cannot conceive of pleasure or entertainment without it. 7 held in exact position with relation to the guard. The GILLETTE is ¢he only safety razor that does not attempt to clamp the blade by one or more of its sides (@ razor blade as hard and slippery as glass) and to hold it by the pressure, or spring principle. A GILLETTE blade has three round perforations, When you drop it over the three positioning pins it can’t slip. It can’t get away. The blade is in perfect alignment. You can’t place it out of position if you try. How it is held there in av grip we shall explain another time. There is no razor like the GILLETTE —no handle, no blade like it. Any man can use it. It makes shaving*easy no matter how tough the beard or tender the skin. No stropping, no honing. Standard set $5.00. On sale every- where. Canadian Ofice 63 St. Alexander Street Montreal, Que. Safet Razor Finally 1 it 10 be understood that my censure is expressly aimed at and limited to the type of Jew who is commercializing the popular playhouse at a terrible cost to public morals and to the fatal prejudice of a genial art. I know as well as any one who may think to remind me, how much that art owes to Semitic genius both on its mimetic and creative sides. These re- marks of mine convey and are meant to con- vey, no reflection upon the race that has given us a Rachel and a Bernhardt and should not be resented by Mr. Belasco or Mr. Warfield, or other less known but worthy artists of Hebrew extraction —Micuart Moxanan in The Papyrus for November. wish comicbooks.com