Life, 1906-05-31 · page 3 of 22
Life — May 31, 1906 — page 3: what you’re looking at
What you’re looking at
This page features a theatrical or film still (dark, dramatic lighting) accompanying a review titled "Podunk Revisited." The article critiques a stage production, discussing how the work attempts to capture small-town American life ("Podunk" being period slang for a remote, unsophisticated village). The reviewer argues the production uses superficial techniques—applied decorative elements and papier-mâché props—rather than authentic insight to depict rural characters. The critic suggests the actress playing the lead is a "translatress with a communication of violence," implying she performs the role through exaggerated mannerisms rather than genuine understanding of small-town life. The piece appears to be satirizing theatrical pretension and the artificial representation of American provincial life on stage.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Burglar (pointing pistol): DON'T MOVE, AND DON'T MAKE A NOISE, OR I'LL — Man in Bed: vo Podunk Revisited (A la Henry James) HEN one, through on ineptitude; T say inepti tude purposely, of pos. sessively embracing through fondness an out ward impression, — per- mitted ,to all appearance, by way of preface, r than intermitted light to assist in the i a side- rpretation of such retumed to resee, without precluding apprehension, it is the cara vansary, the inn, that first shricks the story, with a harskness ef essential con ditions fer mature contemplation, of the impression; finds oneself Podunk to. essiduously greater Podunk’s confession, With this conception denoting, verily, a belief, foundedon sufficient evidence to give pre- ponderation to the conceptual value rather than perceptual dissociation, but insufficient to induce certainty: one is caught projecting oneself, careless of small attempts at large amenities at the revelation, taking a quick breath of relief, leviation for a moment cnl. t of the sign: “Ales, Wines, nd Cigars,” an oasis of some donating at the si Liquors thing thet purposes something in a laby- rinth of mobility as the amazing mug- house closes round one with applied restoratives as translatitious as the ex- otics of papier-maché behind the Lar on NEEDN'T WORRY, I'M JUST AS ANXIOUS AS YOU ARE NOT TO HAVE HER WAKE UP UNTIL AFTER YOU GO AWAY. the ends and in the middle. But Podunk herself is a translatress with a commu- nication of violence in all her hints at her wondrous tale. The tale for us swarms with the quantity of presence, a subtra- hend almost subtrihedral but not totally that, for the dilemma to the reseer need be but bicomous; by classifying the forid flock of this bield by its two vivid characteristics: first one must be grata at the sand-filled-box-side; that other, the subtle one, he must be out of a job. There is the gimmal on which the im- mense promiscuity rests and bangs and bellows, independent of the inhibition of centres and where apple-jack is only ten cents a bath, Charles A. Selden comicbooks.com