Life, 1891-12-03 · page 7 of 16
Life — December 3, 1891 — page 7: what you’re looking at
What you’re looking at
# Analysis of Life Magazine Page 327 This page contains two distinct pieces: 1. **"A Boston Maid"** (top left): A short poem mocking a Bostonian woman's coldness toward courtship, playing on Boston stereotypes about reserved propriety. 2. **"A Sign of Promise"** (center-left): Commentary criticizing the Fifth Avenue Stage Company's financial deficit of $32,672.13. The author sarcastically questions why anyone would subject themselves to the discomfort of riding in these "deafening horrors" (early motor coaches), arguing the management is disgraced and the situation is absurd. 3. **"How It Ended"** (right): A sequential silhouette comic strip depicting what appears to be a knight or mounted figure in increasingly chaotic action scenes, culminating in a battle or violent confrontation. The narrative context remains unclear from the image alone.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
‘LIFE: A BOSTON MAID. HOW IT ENDED. T love I never heard her scoff, Though Cupid yet has made no proffer ; She never would remark, ‘Come off,” But doubtless prayeth thus: “Come offer.” A SIGN OF PROMISE. J Tis joyous news to New Yorkers that the Fifth Avenue Stage Company shows a deficit for the past year of $32,672.13. That the deficit may increase is the earnest prayer of every martyr who is com- pelled to ride in those disgraceful conveyances. No wonder there is a deficit. Who thinks of climbing into one of those deafening horrors. When he can travel any other way ? It requires a trained athlete to get in or out without injury. Personal discomfort reaches its climax in these offensive relics of a barbarous past. May the next twelve months bring a deficit big enough to di courage the parsimonious sharks who persist in inflicting the present abomination on a suffering public. Another management could not be worse. The present one is a dis- grace to the avenue, and a morti- fication to every public- spirited citizen, The Czarina: ALEX, THERE PLOT AGAINST US, RIGHT HERE IN OUR OWN HOUSEHOLD, ” The Czar (carelessly): Ou, UM GET TING USED TO THAT SORT OF TH The Czarina: BUT THIS IS THE MOST DASTARDLY PLOT YET. The Czar: Wuat ts 17? The Cearina (in awful whisper): THE COOK 18 GOING TO LEAVE. comicbooks.com