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Judge, 1927-06-04 · page 20 of 36

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Anyone can take perfect movies with the DeVry! AKING movies with the DeVry is as easy as taking snapshots with a box camera. Just point the camera, press the button and you are taking movies guaranteed to be as perfect as those taken by a profes- sional camera. The DeVry camera is designed for amateurs and is made by the world’s largest manufacturersof standard port- able moving picture projectors. The DeVry uses standard theatre-size film. This film has six times the picture area ] of “off standard” film. It enables you to take movies of feature film brilliance —movies that can be projected with the same perfect clearness from gen- eration to generation. The DeVry can be loaded in day- light, needs no tripod and is fully auto- matic. It also has three view finders, hi} can be focused direct on the film and can be quickly put into action from any position. Yet the cost of the DeVry camera is but $150.00. Send for Free Book We have prepared a new FREE beautifully ) illustrated booklet on the subject of, “Just Why the DeVry Takes Better Movies.” "It explains in detail the many and varied advantages of the DeVry. Write or mail the coupon today for your copy of this valuable book. DeVry Standard-Automatic Movie (amera c oO U P THE DE VRY CORPORATION 1111 Center Street, Dept. 6G, Chicago, Illinois Please send me your new free book, “Just Why the DeVry Takes Better Movies.” fe) N JUDGING, Shs the MOVIES * HE best thing in “Annie | is the fighting, which is sufficiently general and realistic to suit the fiercest fan that ever lusted for celluloid blood. The worst thing is the succession of faky backdrops of Highland crags and castles that fool no one. One is rather sur- prised that in a picture of such pretentions the Metro-Goldwyn people should have been willing to risk such an evidence of skimp- ing, until one remembers that this is a Scotch picture. Somewhere in between these two extremes of merit lies all the rest of the opus, including Lillian Gish’s performance as Annie. It is not a part that demands the best she has, and consequently she probably falls short of what an- other actress of more limited talent might have done with it. Annie, as played by Lillian, I’m afraid, would never have inspired the song with which we were all over-familiar before it was splashed all over this picture. Much more alive and appealing is Norman Kerry’s interpretation of the hero, son of the chieftain of the wild and wooly Clan Mac- Donald and a fine braw lad. With his flashing smile, his feats of strength and forthright love- making he puts to shame the negative and anemic Annie. And what one remembers most vividly of the picture is nothing that Annie is or does, but the climactic moment when the young The Turk never makes a girl walk home from an auto ride. MacDonald lifts his treacherous enemy high above his head and hurls him from the battlements. Could any triumph more com- pletely isfy the imagination? But with all that can be for it, “Annie s good picture. Besides the phony sets and the disappointing per- formance by Miss Gish there is the stale monotony of its melo- drama. Red whiskers and Scotch kilts are a poor disguise for a ten-twent’-thirt’ plot. EBE Dantets comes to us in “Sefiorita” as an acrobat and swordsman quite the equal of John Gilbert and not so far be- hind Douglas Fairbanks. Dis- guised as the grandson of Don Francisco Hernandez, doesn’t she hold off single-handed the whole tuffanly gang of the Oliveros, dodging, jumping, swinging, fighting until she has knocked them all for a row of applecarts? You'd better believe so! There is always a great deal of humor and not a little appeal in Bebe’s antics, but I have never seen her more active. James Hall makes a handsome Spanish lover, but William Powell seems decidedly miscast as the clown of the piece, or do you think that wiping one’s nose on one’s sleeve is a sure-fire scream? If so, there won't be a flaw in your enjoyment of this picture. Movie Guide on Page 20 ee ee Er een comicbooks.com