Judge, 1927-03-05 · page 26 of 34
Judge — March 5, 1927 — page 26: what you’re looking at
A restored page from Judge, 1927-03-05. Page through the whole issue in the reader above.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
ART PRINTS “The Spanish Bark”’ By J. D. Gleason A fine reproduction in brilliant coloring, that will appeal to all who love the sea. Prints are 7'4 x 9 inches. Prints will be carefully packed and sent postpaid upon receipt of 50 Cents ‘“*See-Saw”’ By Delevante A beautiful reproduction in one color of a crayon drawing which graphically illustrates the changes m. the fair sex. Printed on heavy Art Mat, siz inches, with wide margins for framing. Prints will be carefully packed and sent postpaid upon receipe of 50 Cents has 19 x15 “The Old Army Game”’ By James Trembath One of the most interesting and attractive pictures ever reproduced as an Art Print. Beautifully printed from the original engraving in soft, two-toned sepia brown on heavy Art Mat, size 19 x 15 inches, with wide margins. Prints will be carefully packed and sent postpaid upon receipt of 50 Cents OTHER NEW ART PRINTS ‘ The Sea Hawk". .. $0. “Musical Com: hesess seeees JUDGE ART PRINT DEPARTMENT, 627 WEST 43d STREET NEW YORK “Ii, boy! I want to go to the Mansion House.” “All right, guv’nor; don’t be long! Judging the Shows (Continued from page 18) The local youngsters who go in for Expressionism seem to im- agine that all that is necessary to achieve it is to get someone to design a stage setting that looks like an uncompleted railroad sta- tion, to cause the stagehands periodically to pound on tin pans in the wings, and to instruct the actors to play every scene, how- ever unimportant, as if it were the big climax to the third act of a OIleZyY \LAOR..§ We call him Asthma—because he’s full of old wheezes. Judge pays $5 for each one printed. —Evenysopy’s WEE Lincoln J. Carter melodrama. The resulting impression is of a German brass band having an affair with itself. Dorothy Sands has the réle of the stenographer who travels the primrose path and gives a very fair perform- ance. Ill In neither “Lally,” by Henry Stillman, nor in “Of Key,” by Arthur Caesar, can I find any- thing calling for the hiring of Sousa’s band and the giving of a free concert. The former follows the tre of “The Constant Nymph,” but in the way that a one-legged man might follow the Cannonball Express. The latter retells the ancient tale of the free- thinking husband who learns that wife committed a faux pas before he married her and who comicbooks.com ar lin ye