Judge — April 18, 1925 — page 21: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

if oO To) im o ° he =) f | | _ In the second place, 1 find © Oo Re 1 S a) oO Be Oo a necessary to give Mr @ tu / Albert E. Smith credit for a [o) ee Oo . noble try at something that So By Carroll Carroll | 2 just missed being good. ‘To Oo [o) }O say a man “meant well” is O Oo oO {© rather faint praise, I know, © but it’s the best [can do in ° fo) ° oO 5 Dis anes les this case. © Past Performances © © “Mr, Smith ted to be subtle O The Last Laugh—This is O © and wasn't. He endeavored © good! o © to make many of his points by © O The Lost World—Dinosaurs E] | © sugg and then ignored © us household pets. © the suggestion to the extent oO} ON ts No Man Haz Lo ed—Néee P lo of embarrassing you for even 5 “The Man Without a Coun- = o having noticed it. This was try. more than usually apparent Sally—Colleen Moore polish- © O due to the fact that his material ing the silver linings. oO |O was of the type that every © The Swan—Sce Pavlowa. © Pright) young stenographer The Dressmaker from Paris OQ} © Knows by heart, the poor = —Chicken and French dress) ©} | idealistic artist. in love with ing. | ee © the mutti-millionaire’s_ pam- Salome of the Tenements DOTTY DECLARES © pered daughter, and the doc- O Not a bit Wilde. That S. O. S. means Same—Old O trine that money gained © The Iron Horse—The use of Suit! © through banks and steel mills @ epics in railroad building. © May be legal but cannot be Peter. Pan—The one you tender. However, “The {© had no right to miss. Scnoo. ror Wives" looks Quo Vadis—*20,000 men, | to me like a crawl in the right Q ODM SO NO HOG CH AERO NON OTN OOO eee women and children!” Introduce. Me—Folks, Douglas MacLean. meet Including the Seandi- navian Wwiex Togo, my Trish valet and nfidential boot- legger, woke nd told me it was time to go to work at first I didn’t want to. I looked and saw that © Scnoon Wives’ “Mex anv Wows” w the two on the schedule. Then I did want to. So he packed a bunch of critical comments into my hinch box, 1 me don my blue denims, me my pick, which I use when picking on pictures, and waved to me from the as I went skipping for I FoR window I was gay, “Here are two pie. tures T ean laugh off, if ever there were two.” 1 was wrong. In the first place, in “Tue Scnoo. ron Wives” Sigrid Holmquist plays opposite Con- way Tearle, If it is true that The Swedish Mary whatever that is, all Tey, Sweden! Sigrid is Pickford,” T can say is, How'll you trac oo00000000000D0ND DD OOOODOODONN000000000 Improved type of flirver—goes any place you wish. The famous author views the tersion of his popular norel. screen EE Ee jie direction. oO And “Mex axp Womey,” @& with Richard Dix, may be another. This, my good friends, is boldly advertised as # picture with no hero, hero- O ine or villain and by golly! © it is! That's what T liked & about it, Even if the various characters weren't always ex- actly true they were and that’ to human nature, of the time QO} even more than you © hav right to expect. Now the goulash. First on the list is that supreme vol of spareribs i “SACKCLOTIL AND which [promised some comes. to tell you about. Alice Terry wanders through it giving her © oO combined impressions, if any, of Hamlet and Ophelia. = Briefly, the plot concerns itself with that old nautical catch phrase children sinnin’ and first. In spite of the Corinne Griffith is, beautiful in * fuct that as us Deciasse, Akins’ play has been made into O 4 painful movie. But its nifty © title should bring it success as ol in the movies is oO o comicbooks.com