Judge — January 24, 1925 — page 29: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

J we le ee D “Beg pardon, sir. but are they esthetic dancers?” “Nope. Synthetic. A case of gin washed ashore about an hour ago.” veloped. And the way it is played at the Cort Theater makes it seem even poorer than it is. Elsie Fergu- son plays the rdle of the country wife who seeks romance at a state ball in so guttural and tragic a man- ner that one momentarily expects Robert B. Mantell to come on in the white whiskers of Lear, shout “No, no, no life!’ and roll over dead. What is more, Miss Ferguson ac- companies her interpretation of the réle with so many elaborate circular arm movements that the perform- ance takes on the aspect of Holland viewed through a train window. Tom Nesbitt has the part of the lover, and doubtless obeying Pro- fessor Reicher’s baton, treats love as if it were something like a boiler factory. Called upon to deliver a simple line like “I love you” or any- thing else of the sort, he goes about the business like an indignant politi- cal stump speaker. A lady named Anna Gray, who has the réle of the woman in love with the lover of the leading woman, quivers passionately Watch your gums — | bleeding a sign of trouble Bore wees Te rm ES in a Gilda Gray manner; and Berton Churchill plays the stern old hus- band of the romance seeker exactly as he played General Lee in the Drinkwater play. The reason for the production will probably be found presently in the moving pictures. The Frohman company undoubtedly sees a movie for Miss Ferguson in the exhibit. An “X” of Affection Little Dorothy (watching mother vote)—Mamma, you voted for the man you love best, didn’t you? Mother—What do you mean, dear. “I saw you put a kiss after his name.” —Boston Transcript aad Manners—Do you ever take your wife to a prize fight? Smithers—Never! She knows enough about scrapping now, with- out teaching her more. Bobby (asked to fetch the cigars)—Do you mean your own, Dad, or the box that you bought specially? —Passing Show (London) S sappers mine the enemy's decay in its most painful ganic diseases of mid-life, ur ¢ eg over forty rN Te is ys S, ete ba te ‘Card comes | \\\\ 1/97 BARN MONEY MMED/ATELY~ | / WE FURNISH EQUIPMENT TO START NCE Sonc WRITERS QE OY NS vanes Yfllba pid on tones focnd table for pubiation. EQUITABLE MUSIC CORPORATION “16S8R Broadway” Nera comicbooks.com