Judge — June 14, 1924 — page 31: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Art for the Democrats (Continued from page 19) an original idea or two, but for the most s consist of nothing more original than having one comedian shoo’ another who, on a particularly a professes to like the weather, and having a third comedian lie down on the floor in order the bette the enchant- ments of a lady's ally h art its idea ‘The two best things in the show are, | first, a sketch in which the stage decora- tions of goldenrod cause the actors in a melodrama to sneeze their heads off at the most. thrilling ratic moments, and, secondly, a burlesque of a typical Avery Hopwood play in which all the char- acters appear in their underclothes. The three stars of the occasion are Hazel Dawn, Charles King and Johnny Dooley. Miss Dawn's material is weak and she ac- cordingly relies on expensive costumes and the old fiddle to stir up interest in herself. King is. still imitating George Cohan and Dooley is still trusting to God and a tough sit-spot for laughs. Far and away the best dancing number on the bill is one called, “Phe Fifth Avenue Stride,” executed by Edward Tierney, James Donnelly and Dorothy Van Alst. Among the rubber stamps are the song number in which everyone is dressed in gypsy ¢ tume, the scene in which the fashion dum- mies in a shop window come to lif sentimental bucolic ditty in which the tenor comes on in a pair of > overalls, the Oriental dance in which the ballerina wriggles around the stage like a cockeyed snake, and the dialogue in which the girl s to the brash juvenile, “But you are a stranger to me,” and the juvenile, tilting his straw hat over one eye, wittily retorts, “Do I look so strange to you?” S- Fs rs. Nurox, riding along in her new gold-pancled coupé with Mrs. Highflown, had occasion to refer to her chauffeur as “Clarence.” “How odd,” commented Mrs. High- flown, “to call one’s chauffeur by his first name.” Mrs. Nurox was quick to correct the error. “Clarence,” she called. 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