Judge, 1923-11-17 · page 28 of 44
Judge — November 17, 1923 — page 28: what you’re looking at
A restored page from Judge, 1923-11-17. Page through the whole issue in the reader above.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Aspirin Say “Bayer” rer” and Insist! Unless you see the name “Bayer” on package or on tablets you are not getting the genuine Bayer product prescribed by physicians over twenty-two years and proved safe by millions for Colds Toothache Earache Neuralgia Headache Lumbago Rheumatism Pain, Pain Accept “Bayer Tablets of Aspirin” only. Each unbroken package contains proper directions. Handy boxes of twelve tablets cost few cents. Druggists also sell bottles of 24 and 100. Aspirin is the trade mark of Bayer Manufacture of Monoaceticacid- ester of Salicylicacid. A GIFT OF DISTINCTION FOR MAN, WOMAN or CHILD CANNA Ry day M. O., check or stamps are received. 3, New York Clty Standard of Spanish Army Genuine Astra $ 773 Adopted French Daring World We Tho finest Espn pistol— Drop F Steel Throughout — uses pachard Gamunitoa, an ssmuate bardbivise, brand-new weapon. Bought before recent tariff raise, Buy now from sole U. S. importers and save about) on fine guns. $7.75 25 cal, 7 shot ASTRA, C.O.Q. Automatic, 8.96 25cal., 7 shot ASTRA, Automatic. 9.96 sear 7 shot ASTRA, triple safety. 3383 33: 82 cal., 10 shot ASTRA, extra magazine. 20 and $8 cal. ewing-out cyl. revolvers. erie for firearms cetalogy logue. We guarente t workmanship and material; bake’ Ah ‘ew; of drop. forged cal throughout lore ‘pus ing Fyou wish. “Pay postman on a datvery plus bos” eas you wish. y cheerfully refunded if tis Ree NOW to gee tba SPECIAL LOW PRICES. Ginite TB) CALIFORNIA TRADING COMPANY Dept. 611, Terminal Bldg., Los Angeles, Cal. THE GOLDEN GOOSE AND THE PROPER GANDER by George Mitchell ROM WHAT we have seen of the movies, the astute business man is neglecting the opportunity of his life. It seems to us that he might use the screen to advertise his wares. And we are suggesting that big advertisers in- corporate moving picture companies for this purpose—the rest is easy. Take for instance a large and _pros- perous soap manufacturer who wished to shove his soap down our throats by means of a moving picture. Any well- versed scenarist could turn him out some- thing like this: A. black-hearted, heavy-set lumber- jack, Pierre by name (Wallace Beery), has carried off the beautiful Annie Throckmorton (May McAvoy) to his cabin in the very heart of the Canadian woods far from the haunts of white men and in particular the keen-scented Ser- geant Shawn O'Malley (Earle Williams) who loves Annie with a noble but un- swerving fealty. Pierre would bend the lovely Annie to his iron will. (We are omitting much of the detail: dog sleds, blizzards and so on.) But O'Malley knows all about Annie’s whereabouts. He sends Willie, a poor but faithful half-wit (Gareth Hughes), to deliver soap (Palm Olive, Lifebuoy or what you will) at the Hudson Bay Sta- tions for that schoolgirl complexion. Inadvertently Willie drops a cake on the doorstep of Pierre’s cabin. Comes a great storm and Pierre, who has chosen this moment to drag Annie out beneath heaven’s expansive dome, slips on the wet soap and slides adown the rocky fastnesses to his eternal doom. O'Malley rides up on his faithful mount and Annie gives herself into his eager but honorable embrace. Willie grins from behind a bar of soap upon which he is munching. The picture may be called: “The Palm Olive Branch” or “Throw out the Life- Buoy,” “Annie de Lux,” ete. sug- Fo THE automobile trade we It may be cut gest the following. to fit any car or tire. On the outskirts of Detroit (there’s a reason), Inez Schwartz (Bebe Daniels), a little country girl, comes into a great fortune. Her dad (Hobart Bosworth) is an engineer. That. night she jumps aboard her father’s cab and, uncoupling it from the train, races to New York. She buys a spacious but modest home on Fifth avenue, where she is surrounded by a group of neatly dressed young men who turn night into day. Among her 22 many motor cars she owns a (fill in the name), which her favorite specdster, and in which she is seen daily burning up the roads on Long Island. Comes a day in June when she is stopped by Mike Nolan (Tom Moore), a happy-go-lucky policeman, with a tooth and a heart of gold. Thez’s visits to Long Island increase and one day Mike, forgetful of the gulf that separates them, impetuously takes Inez into his arms just as Montague Merrivale (Adolph Menjou), a handsome but un- scrupulous sort of a fellow, speeds by in a borrowed car. Seeing Inez in the arms of the law he calls police headquarters and Mike is “broke.” Poor but too proud to beg, Mike goes from bad to worse and though Inez searches the city for him he cannot be found. One night he wanders far from the city to end it all and frequents the spot where first he met Inez... when from far down the road a racing car is heard thundering and in its careening tonneau are seen Inez and Montague. Inez is struggling to free herself from the fiend’s grasp. At the wheel is a man whose face is masked. Onward plunges the runa- way car. Mike, awakened to the danger, leaps to the roadside and as the car hurtles forward, flings himself upon the running-board. In a trice he has freed Inez, thrown Montague over the bridge into which the car has smashed and rip- ping the mask from the man at the wheel levels his automatic at his head. But Inez, flinging up his weapon, cries, “Don’t shoot. It’s Dad.” Title: “Goodrich Tires Done It.” Fade-out Inez in Mike’s arms. A nifty little film might be written for the people who lift fallen faces and remove all but the original chin with which we are born. The story would involve a famous beauty who has gone the pace (Pola Negri) and who, to win back the adora- tion of men, sells her soul to a super- natural face specialist: Minna Ralava (Nita Naldi). In the dramatic death scene Pola’s soul is claimed by the special- ist and the men who loved Pola fight for souvenirs of her beauty. One claiming her ear, another her lips, another her eye- and so on ad nauseam. _ The picture ay be called: ‘The Skin You Love to Bite.” PHS ‘oR THE hosiery trade we suggest a tory directed by Cecil De Mille volving Beth Rawlston (Gloria Swanson) in an environment of mad jazzmania and in which champagne baths and silken