Judge — May 5, 1923 — page 34: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

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Have You a Little Soprano in Your Home? (Continued from page 19) slipped a volume of anybody's poetry into my pocket when going on a tra since the year 1900, when the “Golden Treasury” was my boon companion and shaped, no doubt, my ideals of beau But as one grows older, sandwiches | come more desirable, around twelve o'clock.) Mr. Untermeyer’s latest volume, “Roast Leviathan” (Harcourt, Brace & Co.), opens with a group of poems either frankly Jewish in subject, or supposedly Hebraic in spirit and imagery. They are good, lively, provocative and at times eloquent poems, though we have to confess that the imagery seems often no more Hebraic than that of Miss Amy Lowell, and the irony no more Semitic than that of Edgar Lee Masters. Neither imagery nor irony, apart or together, are the exclusive possession of the Jews. Nor are Jews like Mr. Untermeyer, for all their honest consciousness of any longer alien in American letters. It has just occurred to us that, quite without intent, we have been reviewing this week a novel and a book of poems, both written by Jews, and both a into the full stream of modern American literature. There will be people, espe- cially outside of New York City, who will touch of Sem: self-consciousness. Fewer readers v have any such reaction to Mr. Unter- ‘yer’s poems, But at most the strange- s will discourage few reade We have won democracy in our letters, in spite of Henry Ford and A. Lawrence Lowell. And_as for the lack of what we call_ / are opportunities CARICATURINC EDITORIAL CARTOONINC vanced instructiot easy payments, Send 8 also how we help you earn 1 ere OVING Everyone knows that cartoonists earn barrels of mo! r you right now! We COMIC sT. uu to draw there » CARTOONIN OKES, SPORT ‘and also special ad- in your spare tme— lalning our school and, courses, 8 to secure positions and ASSOCIATED STUDIOS OF CARTOONING, 296 Broadway, New York City, N. Y. 32 beauty in Mr. Untermeyer’s poem find the same lack (and the same sense of vitality) in the poems of Carl Sandburg, a Swede, and Amy Lowell, a Boston Alas! We fear it is the age Fe THAT MATTER, we find it in most of the poems of Walt Whitman. daddy of the modern minstrels. Henry Saunders has just compiled a volume of “Parodies on Walt Whitman” (American Libra and we have been re- reading “* * Nearly every body has at some time parodied W hitman, including Whitman. At least, they have got into his rhythm and his trick of rhapsody. Yet, Christopher Morley points out in an introduction to the new book, few of them have succeeded in writing true parodies. They have merely produced burlesques. The not- able exception is H. C, Bunner’s Whit- manesque_ version of “Home Sweet Home.” Here is not only the Whitman manner, but the real Whitman matter. The poem is of ‘Pictures anything V a are always on the verge cof ge ting about them, when, pop, they blow up in laughter. H. C. Bunner wrote this in 1881. It is going to be a sad blow to the New Generation to discover that somebody was clever before the Twentieth Century. tae The Delights of Boredom (Continued from page 13) hands on in order to please herself by proving to her admirers that she is superior to the plays. She thus. pre- serves her reputation by never risking it. She puts on all he back comfortably in fighting is going on at Verdun. “The Dice of the Gods” is a piece of dramatic crap-shooting. It is without merit of any kind, long-winded, empty, trivial. Mrs. Fiske ambled in and out of it ‘enjoying herself prodigiously. I shall begin to take the good lady’ seri- ously only when she shows us what she can do in a respectable ple : not shown us for so long now that 1 estimable grandfather forgets the date. :