Judge — January 27, 1923 — page 14: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

+BILLIE BURKE + FAY BAINTER + PEGGY WOOD + MARSARET AWRENCE+ LEO DITRICHSTEIN+ Romeo and Juliet’ and she Other Holiday Openings Ralph Barton’s Caricatures and Comments on ippo Lippis to bridge the gulf ore Shakespeare. Mis as Juliet, apparently > with an artist ps juires, “Whe . OO i 5 pear) and the fake Filippo Romeo?” Mr. ¥ s Romeo is pl visible Lippi a against the severe fi of a Robert Edmund Jones setting. ; ae ECT tee Basil Sydney was generally accorded the for having borne y,,, Miss Peggy Wood as a o-getter learns to be a “Clinging Mercutio’s burden of cumbersome and obso! ethan puns with . BOGS DOOR SRE VES.) nears: splendid success. Miss Charlotte Granville as the nurse distinguished a Wiciiaelh Vem reccen'tie @Bnreiitt = herself from the calm surface of the rest of the cast _ Miss Margaret Lawrence in “Secrets"— the best evening's enter- tainment of the y dealing with the couple—from 1867 to 1922—by Rudolph Besier Edgington, one or both of whom understands the sort of wife who holds her hus- band that long. Mr. Leo Ditrichstein, the eternal lady-killer, in “The Egoist.”” by the novelist (as is proven by his play), Mr. Ben Hecht. R.B. a comichooks.gom Miss Billie Burke in “R Briar,” an altogether ple nt comedy by Booth Tarkington about a baret singer of rigid als and good family who outwiles a wily woman and bags all the male game. Miss Fay Bainter as a bareback rider in “The Lady Cristilinda,” a play demonstrating the gulf between show people and respectable