Judge — June 17, 1922 — page 4: what you’re looking at

What you’re looking at

# "The Rubicon" This sketch depicts a group of figures on a dock, gathered around a mooring post, with sailing vessels in the background. The title "The Rubicon" references the famous river Caesar crossed to start a civil war—a metaphor for crossing a point of no return. The drawing appears to be political satire, likely referencing a consequential decision or commitment by a political figure or group. The clustered, agitated figures suggest debate or tension over a momentous choice. The maritime setting—with boats ready to depart—reinforces the metaphor of embarking on a decisive course of action. Without additional context about Judge magazine's publication date, the specific political figures depicted remain unclear, though the composition suggests this concerns a significant American political crisis or decision point.