Judge — April 2, 1921 — page 21: what you’re looking at

What you’re looking at

This is a theatrical spotlight feature, not political satire. It celebrates three actresses in contemporary Broadway productions circa the 1910s-1920s: **Josephine Adair** — described as "the ingénue incense in 'Lady Billy,'" who transitioned from high society to stage acting. **Zelda Sears** — playwright and actress who wrote "Lady Billy" and collaborated on "Cornered," in which she also performs. **Marilynn Miller** — formerly a notable dancer, now established as an actress in the play "Sally." The piece functions as entertainment journalism praising these women's theatrical accomplishments and career transitions. The photographs present them as sophisticated professionals rather than objects of ridicule, which reflects Judge magazine's occasional coverage of cultural and entertainment topics alongside its satirical content.