Judge, 1920-11-27 · page 23 of 32
Judge — November 27, 1920 — page 23: what you’re looking at
What you’re looking at
This page features a **biographical portrait and profile** of **Edith Stockton**, a silent film actress, rather than political satire. The image shows a glamorous studio photograph typical of 1920s Hollywood promotion. The text traces her rise from ordinary circumstances—working at a Chicago mail-order house desk—to stardom through amateur theater and fashion modeling, culminating in silent films. Judge magazine documents her success in movies for the "Realart" studio, including a film called *"The Voice of the Blood."* The tone is celebratory rather than satirical, typical of entertainment journalism of the era. It emphasizes the "rags to riches" narrative popular in Jazz Age America: an ordinary working girl achieving glamorous movie stardom. Her education in Illinois is noted to establish respectability. This represents Judge's coverage of contemporary celebrity culture and the new film industry.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Pp. ri From the drably unromantic setting of @ stenographer's desk ino ‘ock. “Tis said her popularity made Chicago mail-order house, the blondely beautiful Edith Stockton fairly upon her fait face one must almost leaped to success in Movie Star Land. Via amateur theatricals and fash. Realart”—the studio now featuring ton posing. ‘twas but a step to the stage where Miss Stockton ““Hitchi- Miss Stockton in “The Voice of the Blood.” Miss Stockton was Kooed”” her » feme and glory in the “Forty-Under Twenty” educated at Rock Island, Ill, and the Barrett Institute, Chicago, Ml 23