Judge — October 2, 1920 — page 29: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Y oe _ Gast Birps What’s in a NameP , t SIBYL. Ah, those molten eyes. The sweet, moist lips of her, the sighs Would make the dullest poet rant € And vet—I blush to utter it— Each word she speaks, she'll stutter it. | And marry her I simply can’t By Pave F. Mure Vor Sibyl is—too sibilant Mercedes. There arlet name Vhat’s fastened to a Spanish dame I onetime knew in Waterbury. Rut she wants silver—she wants gold— Say it with jewels,” you are told She'll never be my wife, my fairy For Mere is—well too Mercenary Ella. Proud and haughty, she | \s Lucifer was said to be. wns a mansion—I pay rent thaps she sets too high a style | Vor me—without her for a while ll follow still my bachelor’s bent. For Ella is—too Elegant. Marion. \nd she’s the last I know. My problem solved at last? imes find her quite a bore Sprightly little miss Is this And yet | somet Inane, uninteresting or Just flapper-like. More vain regret. For Marion’s just—a Marionette. Danny's Imagination Danny was looking at the picture of ending to heaven ina chariot of fire. Seeing jah’s head, he cried, “Ob, halo about Pll Teach You Piano In Quarter Usual Time To persons who have not previously heard of my method, this may seem a pretty bold statement. But I will gladly convince you of its accuracy by referring you to any number of my | graduates in any part of the world. n that doesn't cont There isn't a state in the Unik 1 score or more skilled players of the piano or or who obtained their entire training from me by mail. I have far more students than were ever before taught by one man. Investigate by writing for my 64-page free booklet, “How to Learn Piano or Organ.”” My wi ef teaching piano or organ is entirdy ent from all others. Out of every four hours of stu one hour is spent entirely away from the keyboard learning something about 1 mony and The Laws of Musi This is an awful shock to. most teachers of the “old school,” who still think that learning piano is solely a problem of er gymnastics.” When you do go to the keyboard, 3 accomplish tice as much, ‘be cause you derstand what you are doing. Within four lessons I enable you to play an interest ing piece not only in the origi nal key, but in all other keys as well you u I make use of every possible scientific help—many of which are entirely unkn to the aver- age teacher. My patented in. vention, the COLOROTONE. sweeps away playing difliculties that have troubled students for y Trans position—usually a “nightmare” students—becomes easy and fascinating, With my fifth lesson [ intreduce another important and exclusive invention, QUINN- DEX. Quinn-Dex is a simple hand-operated moving picture device, which enables you to se right before your eyes, every movement of my hands at the keyboard. You actually see the fingers me Instead of having to reproduce your teacher's finger movements from MEMORY which cannot be always accurate you have the correct models before you during every minute of practice. The COLOROTONE and QUINN-DEX save you months and years of wasted cfiort. They can be obtained only from me, and there is noth: ing else, anywhere, even remotely like them | Marcus Lucius Quinn Conservatory of Music Studio JJA, 598 Columbia Road, Boston, 25, Moss. AT MIS PIANO—From the fame ech the St. Louis Expy DR. QUINN chucider, exhibited Men and women who have failed by all other methods have quickly and easily attained success when studying with me. In all essential ways you are in cloSer touch with me than if you were studying by the oral method —yet my lessons cest you only 43 cents cach—and they include all the many recent developments in scientific teaching. For the student of moderate means, this method of studying is far superior to all others, and even for thiest students there is nothing better tany price. You may be certain that your proj at all times in accord with the best musical thou of the present day, and this makes all the n the id. My Course is endorsed by dis hed musicians who would not recommend @ny course but the best.! It is for beginners or experienced players, old or young. You advance as rapidly or as slowly as you wish. All necessary music is supplied without extra charge. A diploma is granted. Write to-day, without cost or ob- ligation. for 04-page free booklet, “How to Learn Piano or Organ.” QUINN CONSERVATORY, Studio JJA 1 598 Columbia Road, Boston, 25, Mass. ' Please send me, without cost of obligation, your free | booklet, “How to Learn Piano or Organ,” and full par | _ ticulars of your Course and special reduced Tuition otfer. Name Address a SUBSCRIPTION | OFFICES: Main office—Brunswick Roilding, 225 Filth Avenue, NEW VORK Led 1919, 1§ cents each; 1948, themsetees as connected with JUDGE he a produce credenival: ADVERTISING OFFICES: Urunawick Bldg Fitch K; Marquette Bldg, Chicago: Henry Bide. $1 s0 per-agate line.) ADDRESS: Sutmeriter Regarding Editorial, Subscription and Adverti give the number appe: on the wrapper. let a change | 225 Fifth Avenue ing Matters on the right hand vide rom ten days to (wo w Fifth Avenue, New ¥ © will be glad to co ould alwaye be accom return, if unaccepted y Lestie- Judge Com at New Vork od <i EDITORIAL OFFICE r butors: = MM Frinted by the Schwe Address all correspondence to JUDGE New York City comicbooks.com