Judge — June 5, 1920 — page 33: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Ashtabula By Brwros Brarey QO! the Geographic Ballads are the rag the Tin P From ¥ Mley troubadours they tl To the phonographie record and the stage Where you hear about the chap whe wants Back to Dear Old Tennessee, where a Welcome waits for Mc Back to"—any other plice you chance to know But in all the Ivric throng, LE have never heard a Which concerns itself with Ashtabula, ©. Hotel San Remo 146 Central Park West, New York City (Entire Block) VERLOOKING Cent Chorus e lake. A me Take me back to Ashtabula, far from dancers and transient ¢ Hula Hula tastes. dm Beaut JUDGE ART PRINT DEPARTMENT Where the life is, as a rule, a BOOKLET UPON KEQUE 225 Filth Avenue New York City Tritle slow Ovenerthip Manag: t Edmund Where the wintry breeze is cool, a That's a town that shouldn't be upon the shelf, So Tl write a little song for it myse Fact that brings to Ashtabula An unusually heavy fall of snow: The Eternal Octopus Pls Town” lightness ¢ (Continued from page 26) | r A house new pictures from new producers could ring into being almost overnight. But with cach passing year the cost of picture produc- tion, the greatness of the individual picture, arry two Write OLD TOWN CANOE CoO, 1947 Maia St. Old Town, Maine, U.S.A, reasing, \ picture that cost fifty thou- nd dollars was exceptional; now picture after picture runs over two hundred thousand, while the average cost of a five-reel film, instead of cing perhaps twenty thousand or less, is three times that amount with th ty of studios. This means that pictu in their communities. { not mere overnight projection-alleys, must be relied on to return the money invested in the pictures. , Take me back don't forsake me! The First National is a young and seem 4 (| I won't go unless you take me gly healthy and robust organization. Gold yn is now backed by millions of dollars. Metro seems well-intrenched and solid as a rock. On the face of it, it looks as though no ene concern could swallow the opportunities | of the whole industry ut: Famous-Et-Cet is f . P And have done my bit for Ashtabula, O. softly ahead And you'll have to pay my fare to make me But I've kept my word and you'll a Gree I've sung of Ashtabula I might sing a lot n the theme. Last but First y) Of a girl in Ashtabula wh I knew; He was first always lL later he began to I might muse about my childhood’s happy get earlier, till at last he was first, though before = dream he had always been behind. He soon got later = eS As the writers of a ballad often do. again, though of late he has been sooner, and at prawn by But Tl pass them up. I guess, for L might as last he got behind as before, But I expect he'll “Bor, Havey Daas, | Diwey Huxe Vous well confess be getting earlier sooner or later Razor. LOxty Suaneesio Oxe Peer. wenn br.” Phat the rimes to Ashtabula are but few And Pll have to set it down that I've never seen the town Though that necdn’t keep my song f veing true! Sk for ((AGARA “Le Pellur Av’ So just join in on the chorus, let her go! Guaranteed WALL PAPERS And we'll give a boost to Ashtabula 0 “Write for our interesting Booklet NIAGARA WALL PAPER COMPANY NIAGARA FALLS. N.Y. Days of Big Shoe Prices The old woman who lived in a shoe couldn't have owned her own home, if she had lived in these days comicbooks.com