Judge — November 15, 1919 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Draicn by HERMAN PALMER Best of New Disco's Sere DANCE Beautirut Onto Bives. One-step. I'm Forever Browtnc Busates, Waltz. Played by Columbia Saxophone — | appear re ularly in JUDGE Quartet. Cciuanes A-2784, “Beautiful Ohio” ragged and blued into a fox trot by droning, syncopating saxophones. The bub- ble-blowing event is a bit growly, but wondrously rhythmic, and the preponderance of deep me is relieved by singing by Campbell and Burr, with a piano in the back- ground. Interesting to listen to and excellent for dancing. @ careful study of all rd records as issued, and chooses the few which ‘onsiders most desirable. This he selects from the month's dance records, Disco gladly answers questions regarding phonographs and records of all makes, He will tell you which artists have recorded your favorite selections and which compames have issued them, In writing, enclose self- Played by Synco Played by Wat Co- Fox trot. Band. Teut. Me. Fox trot. dorf-¢ Astoria Dance Orchestra. fumbia A-2783. Jazz of the sort that brooks no denial. People who have planned to sit out this I dance will be obliged to change their minds. “Breeze,” itself a tune above the average, has a middle layer, “Dixie Is Dixie Once More,” which is indubitably the real stuff. The Waldorfers do “Tell Me” in their characteristic suave yet snappy style. Cnvu-Cuvu-Sax, Fox trot. Taxt, One-step. Played by Joseph Samucts’ Orchestra, Pathé 22179, A chop suey fox trot of distinctive melody, played with zest. On the reverse is a descriptive one-step—musically con- ventional, but novel as far as the idea is concerned. It treats of hailing and riding in taxies. Ctxo, Fox trot Are Like vy Aeolian Dance Orchestra. ian-Vocalion 12212, A pair of strictly danceable tunes pre- sented with skillful variety; sometimes the lighter instruments are holding a polite little party; sometimes Rudy Wiedoeft is making his saxophone carry on like an educated turkey gobbler, and sometimes the drummer is smiting out right and left — amid his noise appliances, Eyes Tuat Say “I Love You.” One-step. Tue Mustc or Wenotnc Cur Fox trot. Played by Conway's Band. OkeH{ 1241. Busy brass band medleys played with addressed envelope for reply. Breeze. cf tHe Weatner, One-step.- Aeol- NL News Louisiana Five, midnight Jassifiers, changed by day's glare into a squintet, 24 Stun CiE0, I's Phonograph Records CTIONS Frorina Rives, Fox trot. vrs. Fox trot. Played y Dabney's Band. Acolian-Vo- calion 12211, In the second half the Dabney team stick to their well-known mass formation; in the first they adopt open play, the trom. bone full-back performing spectacu- lar runs through a broken field. Fox trot. Edison 5 Happy hysteria, led by a reckless clarinet shrieking with delight. Con- tagious. The recording is so life- like that the listener has no protec- tion whatsoever from the seductive syncopation, tana Five, sor'en No Time to Have tite Played by Louisiana Ain't ‘ex Buurs, Fox trot. Five, Keity, Supe, Sweatman's Columbia A-2773. Further excitement by the Frenzied Five. After what that clarinet goes through this one number it must have to lie down in the dark for a week. Mr. Sweatman presents a slithery-footed, inebriated trom- supported by its able-bodied asso- One-step. Original Jazz Played by Band. Does. All Star Trio. Fox trot. Played by Emerson Mili- Emerson 1069, Saxophones, xylophone and piano pool- ing their enthusiasm most pepfully. “Cleo,” another anti-dawdling piece, is well done by a brass band, with rattling good drum- ming on the side. Medley fox trot. Played tary Band. Want a Davoy, Medley fox trot. Played by Emerson Military Band. Forever Buowixc Bunstes, — Waltz, Played by George Hamilton Green's Nov- elty Orchestra, Emerson 1067. Decidedly good. The fox trot is buoy- antly brazen. The waltz is sprinkled with xylophone spice. (Continued en page 32)