Judge — November 8, 1919 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Drawn by JvLia DANTELS Best of the New Phonograph Records Disco's SeELectTions Dreamy Atanasta Hawanas Luttany, bell and Burr, Pleasant dreami Vaupevitte head: sh ole Sung by Camp- VOCAL 2 Columbia A-2787. Disco's lists ap- Avexanper’s Bann Is Back 1x Dixie VUDGE. tano. Sung by Premier American Quartet. Tuey’re Aut, Sweeties. Sung by I i Kaufman, Aeolin- Vocation consi nost desirable, he selects from the month's Vaude- — ville records. Gotnex Gate, Oren ror Me. Weerixc Wittow Lane. Sung by Charles Hart and Elliott Shaw. Aeolin-Vocalion 12209. Another graceful waltz couple. The Alexandrine excitement con- sists of syncopated jubilations on a “Darktown Strutters’ Ball" motif. “They're All. Sweeties” is an en- thusiastic estimate of the fair sex by an expert appraiser. Carotina Sunsuine. Sung by ling Trio. jonnen Gate. Sung by Charles Hart Elliott Sha Victor 18612. Setting forth the appeal of rival seaboard localities in waltz time As we hear it, the Eastern competi tor wins by a close margin. that the world we live in_were like the Realm of Tunes, for in the lat- ter the way to succeed is to be dreamy and easy-going. erson and Dixie. Sung by May Pe olin-Vo- Aeolin Male Quartet, calion 300 Tf you want to find out how many Southerners there ec in an audi- ence, play “Dixie. st how. many Southerners ever sing * a great song if you don’ and most people do, when the mel- ody hits those | uncomfortable heights. It's safer to let a fife do it for you. Well, May Peterson, assisted by a male quartet, tackles this adored but redoubtable tune and conquers it with little effort. Dixie Is Dixte Once More. Sung American Quartet. Anpb He'’p Say Oo-ta-La Wee Wee! Sung by Billy Murray, Victor 18610. A happy hullabaloo over the homecoming of dusk: warriors, with intimati: war was won by expertly wielded razors. “Oo-la-la” has been men tioned in JUDGE several times ere t but we are glad of the oppor- tunity to recommend it again, as it is the brightest doughboy-and-dam- sel ditty on record. Disco gladly answers questions re- garding phonographs and records of mpd riting, enclose se Dixte Is Dixie Once Moke. Sung by Premier Quartet. Take Me to tHe Lann or Jazz. Sung by Bert Harvey. Edison 5 Here the Ethiopian triumph song is paired with an expression of in- satiable craving for cacophony along ragtime lines. The recording of the jazz instruments which emphasize this plea is a wonderful example of holding the mirror up to noise. 1x Mraatr —)} Scuexck & Van—Tne Former Sur- PORTED BY AN ORCHESTRA, THE Latter Leapine It, 24 Mun Be Harry Wren tHe Preacter Makes You Mine. Sung by Sterl- ing Tric Give Me a Saute ann a Kiss. Sung by Arthur ij 23175, Ardent _anticipati mony, with the fateful day « week distant. On the other side Fields utters a sentimentally specitic reques' ssume that he doesn't wish to receive the smile and the kiss at the same time—else the lady must have acrobatic lips. Sung by The Three Ku- fields, T Wanna Go Back. Sung by Irving and Jack Kaufman, Emerson 1060, The female persons most sung about nowadays are wild babies and dear old mothers. Far be it from us to question the oft-made state- ment in song that the singer's sole desire in life is to return to the knee of his maternal ancestor. Yet there are times when we wonder if it be true sentiment or just some- thing to stuff a song with. The two selections on thi disk are back-to- mammy numbers of more than usual liveliness, Lexo Me Ju. St ters. I’ Just as Spry at Ercuty-Two. Sung by Sam Marley OkeH 1252. Comic character songs, sung by the people who wrote them. In the first. an over-plump lady requests the loan of a beau for her svelt and sought-after friend. The lat- ter won't consent to lend her any fellow but Jim—her husband. this case she is truly gene: make other ma is the carol of an old er who asserts that, though ap- parently antiquated, he can still cut up. (Continued on page 32) ng by Watson Sis-