Judge — January 5, 1918 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

ELTINGE *\s253%5 A. H. WOODS PRESENTS Business Before Pleasure with BARNEY BERNARD & ALEXANDER CARR By Montague Glass and Jules Eckert Goodman REPUBLI WEST 42 ST. NIGHTS Mats. Wed. & Sat. at 2: 20, A. H. WOODS PRESENTS PARLOR, BEDROOM and BATH A fresh, flippant, farcical frolic By C, W. Bell and Mark Swan. COLEMAN HOUSE Asbury Park, New Jersey A magnificent Hotel with an unobstructed view of the Boardwalk and Ocean. ‘Commending sreeit to people of refinement. Service American and European. For booklet and rates write to A. M. Sexton,Proprietor FILM FUN $1.00 a Year 10 Cents a Copy For Sale On All Newsstands LESLIE-JUDGE COMPANY 225 Fifth Avenue - - - New York City _ vatteyv GEMS uaranteed 25 years. Will 4 nd acid and fire tests “and scratch'a file. Any style 14-K solid gold ring, pin or stud, (regular diamond mount: £n@ went for Free Examination. No Money in Advance. ‘Waite today for special priors and free ss wat Building a Copy This Sketch The reed Schoo tha Vertecstng Lo BUILDING, CLEY FOR g MEN 'GAR: ARS “MADE AT al GARS In New York Theatres Behind a Watteau Picture: Efficiency; The Festival of Bacchus—Greenwich Village Theater. short but interesting plays presented in excellent taste. A pilgrimage to this out-of-the-way theater is amply rewarded. Billeted—Playhouse. New war comedy, with Mar- garet Anglin. Blind Youth—3oth St. Lou Tellegen, dear to the ladies as ever, in a drama of regeneration. Business before Pleasure—Eltinge. Highly laughable adventures of Potash and Perlmutter in_ film- dom. Cheer Up—Hippodrome. Mammoth vaudeville and spectacle. Chu Chin Chow—Manhattan. Remarkable Oriental spectacle with music. Cohan Revue—New Amsterdam. George the in- defatigable revises Broadway hits and misses. Critic's Comedy, The; Neighbors; The Girl in the Cofin; Yum Chapab—Comedy. Washington Square Play- ers in three effective playlets and an absurdly gro- tesque pantomime. Doing our Bit—Winter Garden. Sumptuous vaude- ville that is not for babes. Eyes of Youth—Maxine Elliott. Melodramatic glimpses of the future seen by a young woman in the crystal of a Yogi. Flo-Flo—Cort. Lyrics and lingerie, set to music by Silvio Hein. French Repertory—ThéAtre du Vieux Colombier. Jacques Copeau's brilliant company in classical and modern plays. General Post—Gaiety. London comedy hit that has bobbed up on this side. Gipsy Trail, The—Plymouth. Fresh, original comedy, fall of whimsical surpri Going Up—Liberty. New musical comedy about an aviator and, strange to say, a girl. Also,other girls. Her Regiment—Kaickerbocker. Donald Brian in typ- ical Victor Herbert operetta. Jack O' Lantern—Globe. Fred Stone in a new musical comedy that bids fair to equal “Chin Chin” in popularit King, The—Geo. M. Cohan. Leo Ditrichstein, as the naughty monarch of Moldavia, in affairs of state and otherwis Lady of the Camellias, The—Ethel Barrymore in Dumas classic. Land of Joy, The—Park. Melodious and gaily-col- ‘ored Spanish medley that comes to Broadway as a real novelty. Sinuous senoritas and gay toreadors in picturesque dances. Leave It to Jane—Longacre. “The College Widow” transformed into a first-class musical show, Lombardi, Lid.—Morosco. Lively character comedy about a temperamental designer of gowns. Lord and Lady Algy—Broadhurst. New comedy with all star cast. Madame Sand—Criterion. Mrs. Fiske in scintillating portrayal of the lady who loved not wisely but too ofte Masquerader, The—Booth. Guy Bates Post in effec- e dramatization of popular novel. e—Shubert. Exceptionally charming and well-acted play with music. Miss 1917—Century. Dazzling super-vaudeville that is blessed with novelty. Naughty Wife, The—Harris. Rollicking farce about a husband who obligingly, even maddeningly, helps his wife elope with another man Night in Spain, A—Cocoanut Grove. Cabaret edi tion of ‘The Land of Joy. Odds and Ends of 1917—Bijou. The latest “intimate” revue, as smart ‘as any, with Jack Norworth ofaciating and many fair damsels dancing attendan Oh, Boy—Casino. Crisp musical comedy from last season still running on and on. Over the Top—4gth Street Roof. $ “inti- mate review’ Unhackneyed music, an ample as sortment of girls, some pretty stage pictures and intermittent costumes. Pipes of Pan, The—Hudson. Janet Beecher and Nor- man Trevor in a comedy of rare charm, Polly with a Past—Belasco. Agrecably presented so- ciety comedy with Ina Claire as star. Tailor-Made Man, A—Cohan & Harris. Clever com- ‘ing tailor’s assistant who usurped a dress suit and in it conquered y Washington Square Players. See Critic's Comedy. Why Marry?—Astor. Nat Goodwin and other stars in an attempt to solve this vexing problem. Words and Music—Fulton. Assorted nonsense and novelty, not to mention femininity, chaperoned by Raymond Hitchcock. Yes or No—48th St. Showing the importance of a little word when a good-looking woman says it. Heave Ho! James Montgomery Flage Everybody irs loves the sailor Captain Kidd's Here are five pictures for everybody for they’re all as full of snap Tony Sarg and tang asa aL A Present from Her Sailor Friend James Montgomery Flagg a ee sea-breeze. They are full- color prints 9x12,onheavy mats ready for the frame.and they sell at $.25 apiece— the five for A Jill for Jack James Montgomery Flagg Judge Art Print Dept. 225 Fifth Avenue New York War Babies City Will Rannells dryly Minn “T’ve old or picka: lend r