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Judge, 1889-03-16 · page 6 of 20

Judge — March 16, 1889 — page 6: what you’re looking at

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Judge — March 16, 1889 — page 6: Judge, 1889-03-16

What you’re looking at

This page contains satirical commentary on early 20th-century social customs and gender relations: **"A March Idyl"** mocks husbands sneaking away to participate in parades/marches while wives wait at home, suggesting marital discord over domestic vs. public duties. **"A Few Dramatic Don'ts for the Modern Girl"** offers tongue-in-cheek advice to young women dating, cautioning against lateness, expensive hats at theaters (blocking views), and excessive displays of emotion. The satire targets both female behavior and male expectations—portraying men as fragile egos requiring constant flattery. **"The Eclipse of an Old Master"** depicts a count and countess discussing art; the countess's confused response ("Which one?") suggests women's supposed ignorance of fine art, satirizing both actual gender educational gaps and pretentious cultural posturing. **"Where Ignorance is Bliss"** celebrates foolish contentment—the man oblivious to weather, poetry, and social refinement is paradoxically happier than the educated. **"The Shrine of His Devotion"** shows a man devoted to church attendance, likely satirizing performative religiosity. The overall tone mocks courtship conventions, domestic hierarchies, and gender stereotypes of the era.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

A MARCH IDYL. ted with red to p the bands were droning. Thece stove-pipe hats of different shapes Came silently down three fireescapes: ‘Three husbands climbed over the fence like apes And left their wives ochoning. ut of a casement high Nt, when the mown shone down, And saw ‘neath the light of a cloudless sky Three men cune ruling up muddy and brown, ‘The sidewalk comp! For men must march and wine And in forcible terms As they open the door when hour For husbands they'd rather b A FEW DRAMATIC DON'TS. FOR THE MODERN GIRL. Don't keep George waiting till five minutes past and then come down with your gloves unbuttoned. H& is human, and will only swear silently at you, and wish he had asked the other girl Dou't lift your eyebrows into your bang if he brings you the wrong flowers, or smile superciliously if you don’t like his collar. He probably means well, Let hira live! Don't weat your large hat tothe play, Please don’t. Itis becoming, ly get a back view, you know, and t orchestra haven't time to eit, with penetrating feet goes VERY NEAR BREAKFAST TIME. cubaltenthenter actsdon.t Me. G . (soho has been asliep in the supper-rom)—" Nope T haven't kept you waitin’, m’ des et xo home, ain't it teeth. It isn’t becoming. Mes, Go ve T hardly think’ so, Hector, Our hostess has He will smile and be a _ ust asked me how U lik s boiled, frown and grind your Villain still. Do give the boys a chanc Don't rave about the leadingman. Georg “That makes up happiness; That we some of it should possess, It is not money only Wear a cape overcoat may Affect a dlasé world - w has feelings just the same. Don’t forget it ! If the ballet seem to stupefy him, don’t appear tonotice it; he thinks you too sweet to mind Title things like that. Be sweet! THE ECLIPSE OF AN OLD MASTER: And when it’s all over, Count Exust ho married Mille, and you go out under the Kickquer of the opera) —"" That is a genuine Rembrandt, my dear. MADane (the countess)—"* Which one? 1 him into tse anything that looks the least bit likea and de abs. Your intentions are honorable, no doubt, but George is not used to playing combinations of that kind, and he may have mad regrets, As you are strong, be mierciful, Don't! silent stars, don’t beguile WHERE IGNORANCE IS BLISS, ] SOMETIOES think tbe fctow whol bor a cunted fo Who always lives in ignorance and never goes to seb Is the happiest mortal of us, th nothing on his min Hehas like the rest of humanki His hide is thick as leather, but for that he does not care; And no matter what the weather, why, anything he'll wear With as much apparent pleasure as though "twere made of silk, For the fool is rarely able to distinguish wine from milk ner feeling” ever seems to bother him. s o'er him stealing—he has never heard of * Jim" — T mean the poct Riley, who writes such pleasing verse, “The fool knows nothing of it—he would rather drive a hearse THE SHRINE OF HIS DEVOTION. Forde sarc abe Ventas at ara og nea corer bes Mr. Attcoon (to Mrs, Malapry phew leaves the room)" Nour If his mind were better balanced and his senses more acute; nephew seems to be very fe But, all in all, the problem's one no person can compute. Ms. MALAr 3 a esp c He is a constant cuas. x. Gantz, Visitor to the Archbishop's Ca A two page supplement of the Holyoke Envelope Cu. is issued with this number. comicbooks.com