Judge — November 28, 1885 — page 14: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

lier. Now you go round and see if the house is properly looked up, and don't be all night —where are you going, John join’ to lock up housh up, m’ dear. “Don’t you leave this room, John Henry. How do [know but there’s a burglar under If you wouldn't. be wround at all hours of the night home drunk you might have matters a xd to before now, What are you standing there for? Why don’t you go and see if the house is locked I can’t be in two plaishes at onch, m’ dear. If theresh burglar under bed no ushe to lock housh. If hoash locked no ushe for burglar under bed. Shi Phat’s just like a drunken idiot. Look under the bed first, and then attend to the rest of the hou John Henry crawled under the bed and found a cat, which he caught by the rior clongation, or words to that effect. T this the cat sat up ademurre : to show cause why the same 0 tained, which so frightened Mrs. John Henry that she sprang out of bed just as John’ Henry backed out from under ‘it, in his effort to rise he threw her against the 1, upsetting it and smashing the he screamed, swore, and , and now the neighbors say enry Ought to be put in jail for the manner in which he abuses his wife, and her a timid little thing, too. —[Goodall’s San. THE BOY KNEW. A small boy sat on the remnant of the broken-down door-step, listening to a well- developed domestic infelicity occurring in- side the hous A policeman came along, and attr by the sounds within, in- quired of the boy what the row ‘was about. “That ain’t no row nantly, matinee conc neert, the mischief,” responded the what kind of singing do you call .” he answered indig- mam and dad having a **s all right. Home,’ now.” bub, 3 lyin’ to me; there 0 ‘Home, S Home,’ about that,” growled, as he unbent his neck ing. They’re doin’ ain't the offi from list “Th ou kKnowabout it. I’ve heerd that thousan’s of times, an’ I tells year it's Home, Sweet Hom with variations. Yer hain’t got no ear for music a tall.” The cop tumbled to the variations and went his way.—[ Merchant Traveler. LUNDBORG'S PERFUMES, Lundborg’s Perfame, Edenia. Landborg's Perfume, Maréchal Niel Rose. Lundborg’s Perfame, Alpine Violet. Landborg's Perfume, Lily of the Valley. LUNDBORG’S RHENISH COLOGNE. A 20x containing Ramples of _THE JUDGE. “BILL NYE ON THE DRAMA, The following letter was written by Bill Nye, in reply to Mr. Scott Marbl author of ‘State's Attorney,” * Blac Jiamond,” ‘ Over the Garden Wall,” ete., » who proposed the matter of writing a | play, it seems to me, . should embody an idea Am I correct in that theory or not? It ought to convey some g thought, some maxim or aphorism, or some such’ thing as that. How would it do to arrange a play with the idea of impressing upon the audi- ence that ‘the fool and his money are soon parted?” Are you using a hero or heroine recently | I son, Wis., Oct. 13, 1885, mn your plays now? — Ifo, would you mind 5 | writ their lives, while T arrange the de- Tas ails and rem for the young man who is favor of yesterday, in which you ask me to gman tieteed aulecp on dalivanelien ‘the, ¢ar- tain rises, and who sleeps on through the play with his mouth slightly ait till the unite with you in the construction of a new play. This idea has been suggested to me before, serious thought which your letter has stirred | q/8 MONT An fy ncovere ie eae up im my seething mass of mind. bese Plays ti remains an the closin ind fills a new-made I would like very much to unite with you in the erection of such a dramatic structure that people would cheerfully come to this country from Europe and board with us for months in order to see this play every night. | You will surely agree with me that som body ought to writea play. Why it has not been done long ago P cannot understand. A well known comedian told me a year ago that he hadn’t heen able to look into Iso write the lines, T think, for man whe mes in wearing a and seerstucker Coat so tig you can count his vertebrae. I write what he would say without g tal strain or my intellect might split: down the back, and | would bea mental wreck good for nothing bnt to strew the shores paper 2 t nyse! Vario} ol de for sixteen months. He could not even | time with myself. Various other crude for sixteen months. Ho could not even | ideas present themselves to my mind, but : 1 sown | > elothed. You. will say and criticisms to rtain wl her the printer had set them up as he wrote them, or not, simply because it took all his spare time off the stage to examine the manu- senipest plays that had been submitted to him. essary. I know you will at that for the si the less you the more popular it will to have even a parance 1 once rey clothe a but IT could not consen thought of mine make an bar night before a cultiva But I think we could arrange it so that | “fr niBit before a cultivated nudience, we might together construct something in ; . SB that line which would at least at t the attention of our families. Would you mind telling me, for instance, how you write a u have been in the business | , and you could tell me, of course, some liant points about it. Do you write type-writer, or do you dictate Sent | ts to some one who does not nt stated to? Do you write a play and then dramatize | it, or do you write the drama and then play on it? ould it not be a good idea to s and Al RVIN' cure a plot that would cost very little then put the kibosh on it, or would y ORNAMENTAL. “GOLD FRAMES CRAYONS AND’ OM, PORTRAITS 445 PEARL ST., uy put up the lines first and then hang the plot or d or whatever it is, on the lines? Is it lutely to have a prologu Is it hkea I have a great many crude ideas, but you see I’m not practical. One of my crude ideas is to introduce into the play an artist’s studio. This would not cost much for we could borrow the studio evenings and allow the artist to use it daytimes. ‘Then we would introduce into the stadio scene the artist’s living model, Everybody would be horrified, but they would go. They would walk over each other to attend the drama, and we would do well, Our living model in the studio act would be made of ae HAVE WRTEN oROVEMENTs NoT FOUND iu N eR MAKES THAT WiLL WELL REPAY AN INVESTIGATION BY THOSE ERe TO SECURE THE BEST SAFE MARVIN SAFE CO. NEW YORK, PHILADELPHIA, LONDON. ENCLAND. wax, and if it worked well, we would dis charge other members of the company and substitute wa Gradually we could get it down to where the company would be wax, with the exception of a janitor witha feather duster. sink that ove But seriously COURTSIIIP and MARRIAGE, Artistic Eiome Furnishings .¢ JAMES B. McNAB, 747 BROADWAY AND SOG MERCER ST., Fine Furniture, Carpets, Bedding, &c., te Pumishing cf Flats and Apartments a Srecialty. * , * Liberal Terms to Parties Wishing Accomodation. * . * comicbooks.com Cod