Judge — April 4, 1885 — page 10: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE JUDGE. “T aM Irving is Irving, and he v sin hinge nd Dixey anner joints of his body ae only Irving— can; they have a monopoly of t1 of staze perambulation—“ it’s English, you know It undeniable that” he clutches at an unseen weapon, or an unfelt pain in his heart pocket, alike in moments of Benedict raillery, Jewish hatred for ‘the Christian do: nd ne Aram’s idealized devotion for charmir Ruth Meadows. For Miss Terry is charming, even thongh she amuses us with her little comedy accentsand slides which occasionally peep out of her otherwise semi-veiled emotional voice, when she repeats her pathetic lines, But were we oO inclined to criticise this harmonic English duet, our pe spicnons det genuine ble criticism on certain con- Is would be over Imiration for the exquisite pictures ways present, pictures of three —color, form and motion—well the study of amateur and artist. hese poetic object lessons alone would en- title the Irving-Terry company to a distin- ed position in arti dramatic work, the critics award it, and ‘Tur JupGe doth give it.” BARRE ROTCHKOFF, The obnoxious gallery of ticket speculators is outrivalled by the persistency of all fain- would-be ‘* stars” to portray the fall, the life and death, of poor Camille. ‘a de Rotchkoff (Baroness) recently aired her ambition—which we understand was of the superlative-positive degree—in this direc- tion. At the close of the second act we heard a little French woman sigh, “Je suir fatiguee!” She expressed the fee whole audience; the American versio have been ‘She makes me tired. ss v « Diplomacy LLAC ET. AL. ,” which has occupied the boards at Wallack’s for the past few weeks, is one of the most gratifying productions that has been at that theatre during the season. Compared with the non victorious “Victor Durand,” and “Impulse,” which failed to awaken any great degree of impulsive applause, ‘ Diplomacy ” was as refreshing an old familiar song is, after a protracted run —followed by a more serious relaps:—of Italian Opera. Many habitues have felt bound, for Consistency’s jeweled suke, to be pleased; for they have lauded, these man years, the merits of Wallack’s incomparat production of Diplomacy.” And itis quite easy to be loyal to past impr ns whe present convictions verify them, The cast Is an unusually strong one; each person seems related to the part he plays—as, in truth, some of them have been for Mr. Wallack is the only man in New York who has the honor of being the star in his own stock company. ‘Tearle’s off-hand manner and easy grace are well adapted for the character lanced by our | himself with every strect, alley, park, ani and | | Lady Henry Fairfar was well. re of Captain Beauclerc. Toso Coghlan played | the past week. This makes the fifth reflec- the tender, loving, despairing, revengeful | tion during the on. Wears well. Countess Zicka admirably. We do not en- | THE HARMONIC POISE.” dorse Miss Coghlan’s acting in general, but What “immense” man Mr. Steele in this particular part a high sense of justice | Mackaye Who else has founded theatres compels us to do so, up”—face and phys: characters, Her elongated eyes with their | half-closed shivering lids; lier perfeetly- trained, quivering nostrils; a certain ¢ teristic slow movement of the muscles around the mouth, resulting in a display of wh teeth, which suggest subtlety of p Her natural make | and dramatic schools governed by ©The excellent for such Marquis of Delsarte Rules;” invented eleva- tors to fire the orchestra to unknown regions above when it is not required for actual s ade alluring promises, which often « like his patent chairs, and successfu f two men for one leadi t y se; her | show the normal development « peculiar voice, most remarkable for its reu- nically-poised man, (Le sells ning down quality; all these combine to show eful ** Harmonic Poi tthe t that she is a woman capable of portraying the tender emotion, and its green-eyed sister. resented by 20 per hour), Bat even Mr. Mackaye metines fi to eve all that he con- During the past months he has been ceives, Flom Livingston. os lad. re Plage soothing an impatient public with the | the role of the heartless, shallow-minded, vce that the uld surely have | society woman, and always makes a success of | inner view of his Fourth Avenue eu Miss Livingston’s fashion-plate-propor- | sometime duri ebruary, * It} tioned head and neck, and her ringing, | discreetly omitted tioning the year in | soeet kettle-dram voiceeminently fit her for | which Fe ry we ve marked by so im- such parta, portant an event, Mr. Mackaye would have “Our Joan” follows “ Diplomacy.” It | Probutly got there.” "Tae pabite. woul will have an introductory run of two weeks. | have regarded him as a member of the new at Wallack’s, after which Miss Coghlan will | administration, getting his advertisements try for success in a starring tour. May she | arly. By the way, is there any merit in find it, or is this show ie play—Dakolar, to be an THE WAUL. Frank Panl, advance agent from Over | the Garden Wall” succeeded in acquainting Qveny:—Sho' appropriated to the or should the debt. Also, | Aqueduct Com the sinking fund be eccount of water suppl: ter be covered by the floating the disbursments of the ion current expenses, place in the city, leaving his card on every available board to apprise the public of the approaching Fifth Avenue attraction. Man- ager Stetson telegraphed his approval of | Jp yon haven't much money but sigh for Over the Garden Wall” from Boston. | the truly esthetic flavor in your joys, you can tome mercenary mistake this telegram fell | cacily impart a briccacbrackish dente to yon into the hands of a reporter and was published. att a wallas Thanks to the reporter. Glad to know there eens” isone man in New York who approves of oreet Boston’s latest craze, ar pular | people indulge in a sport from which their sovereign is cut off | by two hundred and fifty pounds of adipose, a sprung knee, and memories of John Brown? “WHAT SHADOWS WE The Shadows of onr Groat been cast in the Grand Opera He PURSUE.” City have SPIRITED A SONG, Miss Errre—‘‘ Come, Mr. Thirsty, and sing ‘Coming Through the Rye,” you always sing it with so much spirit.” Youn Gent (evidently jealous)—‘* Should think he might, he is always full of i.” comicbooks.com