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Baffling Mysteries #14 (1953)

Ace Magazines [1940s-1950s] · 1953 · 1 pages

Free to read · restored edition by comicbooks.com · Issue details →

Contains 6 stories
The Dead Are Never Lonely
7 pp · fantasy

In "The Dead Are Never Lonely," actress Nolita, caught in a moment of rage and tragedy, meets her end in a quarrel with her husband. Haunted by the silence of the grave, she flees the crypt only to find that the world of the living is no refuge—her body decays, and her spirit is drawn back to the afterlife, where she finally finds quiet reunion with her late husband.

Baffling Mysteries #22
1 pp · horror-suspense
Prowl of the Stalking Terror
7 pp · horror-suspense

In "Prowl of the Stalking Terror," a skeptical surgeon's obsession with the supernatural leads him to unearth his uncle from a crypt—only to unleash a bloodthirsty vampire upon the hospital. As the creature spreads its curse and the body count rises, the surgeon must confront the monstrous legacy he's awakened.

Baffling Mysteries #21
1 pp · fantasy

On the desolate coast of Nova Scotia, a lone lighthouse stands sentinel—its keepers long gone, their fate a mystery. When two tourists spend the night, they discover the eerie truth: each vanished keeper sails the sea at midnight, rowing a boat that never reaches shore.

Beware the Graveyard Clay
7 pp · horror-suspense

In "Beware the Graveyard Clay," sculptor Clatrow wields eerie power from clay dug from graves, using it to craft voodoo dolls tied to real lives. As he prepares to marry the daughter of the house, ghostly visions of his murdered mentor begin to torment him—until a fateful accident shatters his own crafted image, unleashing a fate he can no longer control.

Slaves of the Orchid Goddess
7 pp · horror-suspense

In the jungles of Bengali, two adventurers stumble upon the orchid goddess and her deadly blooms—only to flee to the New World with a single, seemingly innocent plant. As it flourishes in their florist shop, the once-ordinary business begins to unravel into something far more sinister.

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