Yummy Fur #24
☆ Be the first to review + Add to your collection — Join freeIn "The Little Man: A True Story," Chester Brown turns his sharp, introspective eye to the world of comics, offering a personal and revealing look at his own work and the industry around him. With his signature raw, minimalist style, Brown pens a candid reflection on his career, including reviews of his own titles like Palookaville, Naughty Bits, and Nocturnal Emissions—each drawn, inked, colored, and lettered by him. The cover by Chester Brown complements the introspective tone, mirroring the self-aware, hand-drawn aesthetic that defines the issue.
In "The Little Man: A True Story," Chester recounts a childhood fantasy in which his penis—impossibly long—becomes the center of a surreal chase involving the RCMP, all told with the deadpan humor and surreal charm that defines the story. With Sandy, Russell, Mister Feltham, Mister Russi, and Chester's mom as silent witnesses to the tale, the narrative blurs memory, myth, and childhood exaggeration in a way that’s both absurd and oddly tender.
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Reprints
Reprinted in Die Playboy-Stories #[nn] (1992), Fuck #[nn] (1994), The Little Man: Short Strips 1980 - 1995 #[nn] (1998), The Little Man: Short Strips 1980 - 1995 #[nn] (1998), The Little Man: Short Strips 1980 - 1995 #[nn] (2006)
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