Witchblade #10
Witchblade #10 (1998) marks a pivotal moment in the series’ escalating battle for cosmic control, with Michael Turner and Christina Z. leading a story where Ian Nottingham wields both the Witchblade and the Darkness in a final, apocalyptic push. As the world teeters on the edge, Sara and Jackie make their stand—only for the fate of the powers to hang on a single, unexpected choice. With Michael Turner’s dynamic art and D-Tron’s sharp inks defining the chaos, this issue delivers a high-stakes climax that redefines the balance of power, all rendered in Jonathan D. Smith’s vivid colors.
In "null," the fragile balance between the Witchblade and the Darkness shatters when Ian Nottingham absorbs both relics, plunging the world toward Armageddon. With the fate of reality hanging in the balance, Sara Pezzini and Jackie Estacado face their most desperate battle yet—only to make a choice that will redefine what it means to be a hero.
Sara Pezzini, stripped of the Witchblade’s power, struggles to return to her life as a cop—only to find her partner Jake McCarthy distant, wary of the supernatural chaos she’s dragged him into. When a strange pull draws her into the subway, she’s captured, forcing her to rely on the new bearer of the Witchblade, Ian Nottingham, to save her.
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↩ Reprints Witchblade #19 (1997), Witchblade #20 (1998)
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