Will Eisner's The Spirit Archives #24
☆ Be the first to review + Add to your collection — Join freeThis volume of The Spirit Archives collects the final year of Will Eisner's legendary newspaper strip, spanning January 6 to October 5, 1952. It features the masked hero Denny Colt alongside Commissioner Dolan, Ellen Dolan, and classic adversaries like P'Gell, Mr. Carrion, and Sand Saref, as well as Eisner's own storytelling innovations that defined the medium. The collection captures the twilight of the series, with Eisner's art and narrative at their most polished and experimental.
In "Fabian Skimp," a tense ferry ride becomes a crucible of secrets and shifting identities, as ordinary passengers let their imaginations run wild with fantasies of robbing the Million Dollar Bank—until one man’s daydream turns terrifyingly real. Written by Klaus Nordling and illustrated by Al Wenzel, with colors by Jamison, this issue unfolds with the quiet dread of a mind unraveling, all beneath Wally Wood’s striking cover art.
Captain Isotope, the TV star whose fame has swollen to match his ego, believes he can actually fly to Mars—so when the Spirit sees a chance to spend time with Ellen, he lets the stunt unfold. A mix of celebrity delusion and surreal ambition, this seven-page adventure follows the line between showmanship and the unknown.
Hubert Heever’s streak of bad luck takes a surreal turn when he crosses paths with Rudolph the Rainmaker, a man whose mysterious abilities might just be the break he’s been waiting for—except his luck seems to worsen with every drop. With Myrtle by his side and the Spirit watching from the shadows, Hubert’s desperate gamble could either change everything… or make it rain trouble.
In "The Ballad of Greenly Sleeve," a wistful tune carries the tale of Mister Carrion, whose quiet devotion to Greenly Sleeve is met with doubt—she sees him as a coward, though his heart beats true. With a melody that lingers like a half-remembered dream, the story unfolds in a world where love and reputation hang in the balance.
In a gritty corner of the city, Harry Shill hunts for the perfect fighter to fit his ruthless system—only to find him not in the ring, but in a burglar named Matt Slugg, who’s far more at home with breaking and entering than with boxing gloves. With the Spirit watching from the shadows, the line between criminal and contender blurs as Slugg’s instincts clash with Shill’s plans.
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↩ Reprints The Spirit #1/13/1952 (1952), The Spirit #1/20/1952 (1952), The Spirit #1/27/1952 (1952), The Spirit #1/6/1952 (1952), The Spirit #2/10/1952 (1952), The Spirit #2/17/1952 (1952), The Spirit #2/24/1952 (1952), The Spirit #2/3/1952 (1952), The Spirit #3/16/1952 (1952), The Spirit #3/2/1952 (1952), The Spirit #3/23/1952 (1952), The Spirit #3/30/1952 (1952), The Spirit #3/9/1952 (1952), The Spirit #4/13/1952 (1952), The Spirit #4/20/1952 (1952), The Spirit #4/27/1952 (1952), The Spirit #4/6/1952 (1952), The Spirit #5/11/1952 (1952), The Spirit #5/18/1952 (1952), The Spirit #5/25/1952 (1952), The Spirit #5/4/1952 (1952), The Spirit #6/1/1952 (1952), The Spirit #6/15/1952 (1952), The Spirit #6/22/1952 (1952), The Spirit #6/29/1952 (1952), The Spirit #6/8/1952 (1952), The Spirit #7/13/1952 (1952), The Spirit #7/20/1952 (1952), The Spirit #7/27/1952 (1952), The Spirit #7/6/1952 (1952), The Spirit #8/10/1952 (1952), The Spirit #8/17/1952 (1952), The Spirit #8/24/1952 (1952), The Spirit #8/3/1952 (1952), The Spirit #8/31/1952 (1952), The Spirit #9/14/1952 (1952), The Spirit #9/21/1952 (1952), The Spirit #9/28/1952 (1952), The Spirit #9/7/1952 (1952), The Spirit #10/5/1952 (1952)
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