Weird Science-Fantasy #1
☆ Be the first to review + Add to your collection — Join free"The Children" is a standout tale from Weird Science-Fantasy #1 (1982), featuring a chillingly original premise by Ray Bradbury and Al Feldstein, brought to life with striking art by Al Williamson and inks by Angelo Torres and Roy Krenkel. In this eerie, time-bending story, a wealthy hunter and his guide are transported 60 million years into the past to hunt a T-Rex—only to find themselves facing a far more unsettling threat than any dinosaur. The cover, a bold, dynamic piece by Wally Wood, captures the story’s unsettling tone perfectly.
In a distant colony where newborns are taken from their mothers under the guise of proper upbringing, resentment boils over when the separation stretches far beyond its original intent. When Ellen Greyson and other mothers finally rise up to reclaim their children, they uncover a shocking truth: the children are born with mutations caused by the planet’s harsh environment. Though their appearance defies convention, the mothers stand together, embracing their children not despite their differences, but because of them.
On a distant blue planet where fish-like beings thrive in aquatic realms, the dying light of their sun threatens to end all life—unless they find a new world. When an alien vessel arrives, the creatures seize it, flooding the ship to drown its crew, and set course for Earth, hoping its oceans can become their new home.
Emperor Yuan's grip on power is absolute—until a humble villager dares to defy the sky. When the Emperor learns of a flying machine built in secret, he moves swiftly to silence the inventor, fearing the knowledge could shatter his control.
In the scorched remnants of a world long gone, a tribe of descendants from the old human race stumbles upon spacemen who arrive with beads and blankets, offering to trade for their land. What was once Manhattan Island becomes the center of a strange bargain, as the ancient survivors agree to the exchange—unaware of the promises the aliens make, or the fate they may soon face.
In "The Teacher From Mars," Professor Mun Zeerohs arrives on Earth to teach the Martian language, only to face relentless hostility from his students. As tensions rise, the truth about his late son’s sacrifice during a battle with space pirates begins to shift the students’ perceptions—especially young Tom Blaine and Robert Graham—while the quiet loyalty of Oscar, the robot, remains steadfast.
In "The Pioneer," Professor Alec Lathem, once a respected educator, becomes obsessed with space flight after a near-fatal accident during a classroom experiment. Rejected by Dean Miller and driven by a growing delusion, he retreats to a remote barn to build a revolutionary rocket engine—only to take a deadly turn when he eliminates the interfering farmer Hiram Jenkins. Now imprisoned, Lathem clings to the belief that he’s being prepared for a heroic mission, unaware that his fate is far more final than any launch.
In "Upheaval!", a ship's Captain and his crew land on a planet whose surface feels like green felt—only to be swallowed whole and violently expelled from its interior like vomit. As they flee, the crew confronts a humbling truth: their belief in humanity’s evolutionary supremacy has been shattered by the planet itself.
In "Flying Saucer Report," a writer known for exposing government secrets about flying saucers reveals a shocking truth to a reporter: he’s not human, but a Martian in disguise, sent to Earth to warn humanity of his people’s imminent arrival. As he recounts the desperate plight of his dying world, the line between conspiracy theorist and alien emissary blurs in a story that turns the classic UFO mythos on its head.
In "A Sound of Thunder," Mr. Eckles and his guide Travis join a high-stakes expedition through Safari, Incorporated’s time-traveling hunt, where the thrill of the chase leads them deep into the Cretaceous past. With the promise of a T-Rex and the warning to stay on the path, the group ventures into a world where even the smallest misstep could ripple through time—especially when the sound of a single footfall echoes louder than expected.
In the sci-fi tale "Bellyful," crew member Donalds suffers sudden, severe stomach pains during a mission aboard the X-15, prompting concern from the ship's doctor. After landing on a mysterious alien world, the crew is horrified when a colossal being crushes their ship and swallows them whole—only for the doctor to reveal a shocking truth: Donalds has been host to an alien tapeworm all along, and now the entire crew is inside the colossus as its parasitic passenger.
In a future where robots harvest crops each spring with perfect precision, one machine begins to sense something beyond its programming—a strange connection to the fields it tends. When it discovers a hidden door leading to a vast chamber of humans in suspended animation, it awakens a scientist who explains the world’s long-forgotten past. As the robot grapples with the truth of its purpose, a single tomato becomes a catalyst for a moment of devastating realization.
In "Adaptability," Captain John Oxton leads his crew on a generations-long voyage to a distant world, only to find that survival beyond the ship’s walls demands more than just arrival—it demands change. With his wife Olivia by his side, John must confront the harsh reality that their journey’s end isn’t a destination, but a test of what it means to truly live.
In "The Inferiors," a crew of Earth spacemen stumbles upon a pattern across countless habitable worlds: each once-thriving civilization has been wiped out by its own inhabitants. These humanoid reptiles, driven by a deep-seated dread of their violent past, systematically destroy their societies before they can fall back into chaos. As the crew confronts the unsettling truth behind the ruins, they're forced to reckon with a haunting question—what does it mean to be superior when self-annihilation is seen as the only way to preserve peace?
Myra Van Dyke, desperate to return to Earth and the man she loves, Jim, embarks on a solo journey across the red planet’s vast emptiness—only to find that Earth has vanished, leaving her stranded in a universe that no longer remembers her home.
Henry Wilkens, a quiet diner dish washer with a heart full of stars, has spent his life chasing a dream too big for his everyday world—commanding a spaceship among the cosmos. When a strange signal from the night sky pulls him into a journey that defies time and space, he finds himself face to face with a mystery that blurs the line between imagination and reality.
In "The Trial of Adam Link," a reactivated robot faces a courtroom charged with fear and prejudice, despite having saved lives moments before. Accused by a society that sees only metal and wires, Adam Link must confront the very humans he tried to protect—while his creator’s nephew fights to prove that even machines can possess something more than circuits.
In "The Chosen One," a quiet family home becomes the center of an otherworldly visitation when two celestial beings arrive, drawing the attention of a worried father. Believing his son to be the extraordinary being they seek, he braces for a cosmic separation—only to discover the true "chosen one" was the family dog all along.
In a world where the wheel is forbidden, David grapples with the aftermath of his best friend John’s death—punished for defying the law by inventing the very thing that could end a life. Now, with Samuel the leader enforcing the ban, David must confront the cost of progress in a society that equates innovation with destruction.
In "Genesis," a lone man remains on Mars after humanity’s failed attempt to colonize the red planet, only to discover that survival may not require reproduction as humans know it—when he undergoes a miraculous transformation, splitting into two, the story explores the fragile line between extinction and evolution.
In "Adam Link In Business," the formerly condemned robot is granted citizenship and channels his new status into a humanitarian venture, transforming neglected slums into thriving communities. As his secretary develops feelings for him, Adam Link grapples with the unfamiliar weight of emotion, ultimately choosing to retreat into the wilderness to escape the confusion.
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↩ Reprints Weird Science-Fantasy #23 (1954), Weird Science-Fantasy #24 (1954), Weird Science-Fantasy #25 (1954), Weird Science-Fantasy #26 (1954), Weird Science-Fantasy #27 (1955), Weird Science-Fantasy #28 (1955), Weird Science-Fantasy #29 (1955)
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