We Spoke Out: Comic Books and the Holocaust #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection brings together a series of short comics that explore the Holocaust through personal testimonies and historical accounts, originally published in 2018 by IDW and Yoe Books. Featuring work from a range of comic creators, it adapts survivor stories and reflections on the genocide, aiming to educate and preserve memory through the graphic narrative medium.
"Master Race," a powerful story written by Rafael Medoff and illustrated by Neal Adams with inks by Adams and Joe Kubert, tells the true and haunting tale of Holocaust survivor Dina Gottliebova (Babbitt), who painted under duress for Dr. Josef Mengele at Auschwitz. Despite decades of advocacy—including support from the U.S. Congress, the David S. Wyman Institute, and over 450 comic creators—her artwork remains in the Auschwitz Museum, denied return. The cover, penciled and inked by Neal Adams, captures the weight of her story in stark, unforgettable detail.
In the aftermath of World War II, a former Belsen Concentration Camp commander flees across Europe and into America, haunted by the memory of a single inmate who vowed to find him. Years later, his fear crystallizes when he encounters that man face to face on a train, the weight of the past closing in with terrifying inevitability.
In "Desert Fox!", General Erwin Rommel navigates the harsh realities of war in northern Africa, struggling with dwindling supplies and mounting pressure. As he moves his troops toward El Alamein, his journey takes him through a British hospital and a Polish POW camp, where the cost of war becomes painfully clear. Amid escalating reprisals and the shocking news of a failed assassination attempt on Hitler, Rommel’s role in the conspiracy comes to light—leading to a quiet, final decision.
In "The Tattooed Heart!", a chilling horror-suspense tale from We Spoke Out: Comic Books and the Holocaust, Ludwig Stern—a Nazi commander who believes he’s evaded justice—finds himself pursued by the spectral echoes of those he tortured. As the past closes in, he must face a fate as merciless as the ones he inflicted, in a story that lingers long after the final page.
In "Night of the Reaper!", Robin and Batman find themselves caught in the middle of a dangerous clash during a Halloween celebration in Rutland, Vermont, where a young man named Tom Fagan and a doctor named Gruener are drawn into a past they can't escape. As the night unfolds, old wounds resurface and the line between justice and vengeance blurs.
In "From the Ashes...", a young woman named Anna Kapplebaum recounts her harrowing survival in the fictional Nazi deathcamp Diebenwald, where she witnessed unspeakable horrors and endured years of suffering before being rescued by Captain America just before the camp’s final purge. Now living in the present, her story intersects with Steve Rogers, who has stepped away from the mantle of Captain America to work as a commercial artist, and Falcon, as the past begins to surface in unexpected ways. The echoes of war and loss reach across time, drawing in figures like Colonel Steiger, whose actions in the past still reverberate, and others from the Avengers’ world, including Peter Parker and Nick Fury, whose presence hints at a larger reckoning.
In a vivid flashback, Professor X relives a high-stakes mission from his past, teaming up with Magneto to outwit Baron Strucker and recover Nazi gold—while encountering Gabrielle Haller for the first time. As the X-Men grapple with Charles’s coma, this memory proves the key to waking him, sparking hope and celebration. But their reunion is cut short when Deathbird ambushes them at Lilandra’s farewell banquet, teleporting the entire team to a Brood ship.
Dina Gottliebova (Babbitt) confronts the haunting legacy of her art—created under duress for Dr. Josef Mengele in Auschwitz—when she seeks its return from the Auschwitz Museum decades later. Despite advocacy from the David S. Wyman Institute, support from over 450 comic artists, and interventions by U.S. officials, the Museum maintains its claim, leaving Dina’s past and her rightful ownership unresolved.
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Reprints
↩ Reprints Frontline Combat #3 (1951), Stamps Comics #4 (1952), Beware! Terror Tales #6 (1953), Impact #1 (1955), Eerie #9 (1967), Captain Marvel #19 (1969), Star Spangled War Stories #158 (1971), Batman #237 (1971), Weird War Tales #8 (1972), Our Fighting Forces #150 (1974), War Is Hell #14 (1975), Blitzkrieg #2 (1976), DC Special Series #13 (1978), Captain America #237 (1979), Captain America #245 (1980), Sgt. Rock #351 (1981), The Uncanny X-Men #161 (1982), X-Men: Magneto Testament #5 (2009)
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