Valentine #25 January 1964
☆ Be the first to review + Add to your collection — Join freeIn "We Know," Carlos Prunés delivers a quietly devastating tale as Jill confronts a stranger outside Laura’s house on the night of her engagement party. Telling him her story, she grapples with the painful truth that she manipulated Roy into marriage despite knowing his feelings weren’t real. The moment she realizes this, her resolve shifts—she tells the stranger to go to the party, only for him to reveal he once loved Laura, leaving the choice hanging in the air. A poignant, character-driven moment rendered with emotional precision by Prunés.
In a quiet moment before the engagement party, Jill confronts a stranger outside Laura’s house, sharing a painful memory that forces her to face a truth she’d long avoided: she once convinced Roy to marry her, knowing his heart wasn’t in it. As the weight of that choice settles, she lets the stranger go, only for him to reveal he’d once loved Laura—leaving the past and the party’s future hanging in the balance.
In a quiet Midlands factory, Zoe Watkins is sent on a delicate mission: observe five junior executives—Charles Gower, Robert Drayton, Alfred Selby, Trevor King, and Frederick Bates—while secretly evaluating them for a top promotion. But as she watches their work and manners, she begins to wonder if her boss’s criteria for a successor might be more personal than professional.
Jane, frustrated by roadwork disrupting her evenings, vents to Neville, the council young man, who surprisingly offers to show her that romance can survive even the noisiest construction zones—by asking her out himself. With Stan watching from the sidelines, the moment hangs in the balance as the two navigate the unexpected turn of a simple invitation.
In the quiet tension of a winter afternoon, Sheila Taylor finds herself at the Ingram home, sent to retrieve export schedules while her boss is ill. There, she meets Mrs. Ingram—her presence sharp and unwelcome—and the weight of her secret feelings begins to shift. As the lines between duty and desire blur, Sheila confronts a truth she’s been avoiding, standing in the shadow of a marriage she never asked to disrupt.
Sue Mills takes shelter from the rain in an art gallery, where she meets a man from a wealthy family. On their first real date, as she learns more about him, she finds herself weaving a web of lies about her job and background.
Liz Delaney lets her imagination run wild as she scans the help-wanted ads, picturing herself as a fashion model, a racehorse stable girl, and even a chef’s assistant—each dream ending in chaos. But no matter how wild her fantasies, one role feels certain: being Brian’s wife, a job she’s determined to master, even if her daydreams can’t quite keep up.
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Reprinted in Love Story Picture Library #795 (1970)
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