Valentine #10 December 1960
☆ Be the first to review + Add to your collection — Join freeIn "Don't Blame Me," a 1960 IPC comic from the Valentine series, Sue finds herself stranded in London with nothing but memories and a cherished necklace from her parents. After pawning it for survival, she crosses paths with a musician who leads her to a shared house where a tight-knit group of young people scrape by on scraps and shared dreams. José González’s evocative art brings the raw, intimate world of postwar youth to life, capturing both the vulnerability and quiet resilience of those trying to make it in a city that doesn’t always welcome them.
Lucy, a young woman working at a laundry and cleaners, finds herself drawn into a quiet moment of tension when a nervous customer—Alan Martin—pleads with her to find a dress shirt for a special evening. With time running short and the stakes higher than a simple errand, Lucy’s quick thinking and quiet kindness might just be the thread that holds it all together.
In "Blue Moon," Briony finds herself caught in a tense standoff as the weight of a desperate vow hangs in the air. With Sidney Alfred Jones and Ben Patterson entangled in a moment that could end in tragedy, one kiss may be the only thing that remains when the dust settles.
In a whimsical twist of fate, Philippe De Barry finds himself bound by a curious inheritance—permission to kiss any girl in England—while his ambitious manager, Nabuzzi, pushes him toward stardom despite his lack of voice. When the spotlight turns to a midnight matinee at the Colodeum, Julie, who’s long admired him from afar, finally dares to step into the light.
In "The Ways of a Woman in Love," Hildy Williams finds unexpected joy when a group of scouts on the Staten Island Ferry recognize her from her TV appearance the night before, turning her heartache into quiet triumph. Meanwhile, Larry Harkness stands on the edge of a new complication, poised to draw Honor Eden into something he’s not quite ready to explain.
Brenda can't stand the old fourposter bed Brian's grandmother gave them—too creaky, too outdated. But after a strange dream filled with echoes of those who once slept in it, she starts to see the bed in a whole new light.
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Reprinted in Romantica #1 (1961), Salome #1 (1961)
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