Usagi Yojimbo #22
☆ Be the first to review + Add to your collection — Join freeIn "Tomoe's Story," Usagi Yojimbo returns to Lord Noriyuki's castle with the Geishu bodyguard Tomoe, only to find a murder that defies reason: a trade envoy from Lord Kojima lies dead, and the only clue points to a maid who’s been dead for a decade. Written and illustrated by Stan Sakai, this issue blends quiet tension with a mystery that tests loyalty and truth, all rendered in Sakai’s signature style. The cover, also by Sakai, captures the story’s haunting mood.
In "Tomoe's Story," the quiet strength of a young woman shaped by tradition and determination takes center stage as she recounts her journey to becoming Noriyuki's retainer. Tatsutaro and Tajima witness the moment when Tomoe shares the past that forged her resolve—her father’s refusal to let her lead The Falling Rain School because she is a woman, and the path she chose to walk anyway.
In the shadowed halls of Lord Noriyuki’s castle, Usagi and the Geishu bodyguard Tomoe return from the edge of enslavement to face a chilling murder. A member of a trade delegation from Lord Kojima lies dead, his throat torn open—yet the only clue points to a maid long buried, her ghost said to haunt the castle’s well. With treaty talks hanging by a thread, Usagi and Tomoe must unravel a mystery that blurs the line between memory and the supernatural, before another life is claimed.
In "The Thief and the Lotus Scroll," the cunning Kitsune finds himself at odds with his old friend Usagi when his young protégé, Kiyoko, steals a sacred temple scroll. With a ruthless collector willing to kill to claim it, Usagi must navigate loyalty to the Geishu clan and his uneasy bond with a thief who may not be as selfish as he seems.
In the quiet moments before departure, Usagi and Tomoe share a solemn tea ceremony in the Geishu Province, where every gesture carries meaning and the stillness between sips speaks volumes. This simple ritual becomes a poignant farewell, a quiet chapter in their journey that lingers long after the last drop is poured.
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Reprints
↩ Reprints Usagi Yojimbo Color Special #1 (1989), Usagi Yojimbo Color Special #2 (1991), Usagi Yojimbo Color Special #3 (1992), Usagi Yojimbo #90 (2006), Usagi Yojimbo #91 (2006), Usagi Yojimbo #92 (2006), Usagi Yojimbo #93 (2006)
Reprinted in Usagi Yojimbo #22 (2022)
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