Un Récit Complet Marvel #22
"Boum" delivers a sharp, timely slice of 1989 Marvel storytelling, spotlighting a clash between environmental activism and corporate power through the lens of a grounded, character-driven conflict. Written by Ann Nocenti and brought to life with dynamic art by John Romita Jr., inks by Al Williamson, and vibrant colors by Max Scheele, the issue follows Bullet as he navigates the fallout of an ecological crisis, with Matt offering legal support from his free clinic amid Kelco’s chemical spills. Ciro Tota’s cover captures the tension with bold, expressive flair.
In "Boum," Bullet—once a celebrated hero now shadowed by his past—returns to the front lines when an eco-activist group, Save the Planet, challenges Kelco’s toxic legacy. With Glorianna O'Breen and her allies rallying under the banner of justice, and the General watching from the sidelines, Bullet must navigate a web of corporate sabotage, old grudges, and a son he barely knows—Lance Cashman—before the next explosion.
In "Planète verte," Daredevil takes on a dangerous conspiracy when Bullet frames the eco-activist group The Fatboys for a murder at Kelco Industries, forcing him to confront both a corrupt system and a villain with powerful allies. With the Kingpin pulling strings and the government backing Bullet, Daredevil must fight to expose the truth—before justice is buried under lies.
In the darkened chaos of a New York blackout, Daredevil and his allies race against time to stop Ammo and his gang from seizing a cache of dangerous ordnance, as the city trembles under the shadow of Apocalypse’s Horsemen. With the Fatboys and the enigmatic Bullet closing in, and Famine watching from the edge, every move could be the last.
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↩ Reprints Daredevil #250 (1988), Daredevil #251 (1988), Daredevil #252 (1988)
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