Tomb of Terror #16
☆ Be the first to review + Add to your collection — Join freeTomb of Terror #16 (July 1954) holds the distinction of being the final issue of Harvey Comics' run under that title, capping a two-year anthology series that stood as one of the pre-Comics Code era's most uninhibited horror-and-science-fiction hybrids. Its contents—leaning heavily into cosmic science fiction alongside supernatural horror—foreshadowed where the series was headed editorially, even as the Comics Code Authority was bearing down on the industry. The issue's Lee Elias zombie/skull cover is among the most visually confrontational of the pre-Code period, representing Harvey's willingness to push imagery to the outer edge of what newsstands would carry at the moment the industry was about to regulate itself into near-silence. As a bookend to the series, it marks the exact hinge point between unrestrained Golden Age horror anthologies and the sanitized comics landscape that would follow within months.
In "The Report," the crew of the space ship Discovery ventures into the unknown, chasing the center of the universe—only to find that the journey itself is transforming them. Written, drawn, and inked by Bob Powell, this eerie 1954 tale unfolds as the crew's bodies and minds shift in ways they can't comprehend, leaving one final witness to record the change. The cover by Lee Elias captures the haunting stillness of a ship adrift in cosmic silence.
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We Buy Collections ▸History
Tomb of Terror launched with Harvey Publications in June 1952 under editor Leon Harvey and ran for 16 bimonthly issues through July 1954, making #16 the series' terminus. Rather than cancellation, the title was rechristened Thrills of Tomorrow beginning with issue #17, a name change that reflected the growing social pressure against horror branding as Fredric Wertham's Senate Subcommittee testimony and the impending Comics Code Authority forced publishers to soften their titles—if not always their content. Lee Elias served as the primary cover artist throughout much of the run, working within a Harvey house style that often saw art director Warren Kremer collaborate on cover layouts before Elias executed the final painted or inked art. Interior art on #16 was produced by Joe Certa, Bob Powell, Howard Nostrand, and Jack Sparling—a stable of reliable Harvey freelancers who kept the anthology's tone consistent across its final issues.
Trivia · 8 facts
- Final issue of Tomb of Terror (Harvey, 1952 series); the numbering continued uninterrupted as Thrills of Tomorrow #17 with the same indicia publisher.
- Published July 1954 by Harvey Publications Inc.; edited by Leon Harvey; 36 pages, full color.
- Cover art by Lee Elias, depicting a zombie/skull underwater scene—one of Elias's signature grotesque pre-Code Harvey covers.
- Interior stories and art by Joe Certa, Bob Powell, Howard Nostrand, and Jack Sparling.
- Content blends horror and science fiction: the lead story 'The Report…' by Bob Powell concerns space explorers who mutate as they approach the center of the universe and cannot turn back; a second story follows townspeople who destroy a vampire only to find the attacks continue.
- Story titles include: The Report…; Uranus/Sky-Pictures; A New World; Going–Going–Gone; All Keyed Up; They're…Gone; Erosion; Three's a Crowd; Tag…You're It.
- Material from this issue was reprinted in IDW/Yoe Books' Haunted Horror #29 (August 2017) and in The Chilling Archives of Horror Comics! (IDW/Yoe Books, 2012).
- Issues #11–16 of the series, including this final issue, were collected in Harvey Horrors Collected Works: Tomb of Terror Volume 3 (PS Artbooks, 2013).
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Reprints
Reprinted in FemForce Frightbook #1 (1992), The Horror! The Horror! Comic Books the Government Didn't Want You to Read! #[nn] (2010), The Chilling Archives of Horror Comics! #[3] (2012), Crypt of Horror #15 (2012), Haunted Horror #29 (2017)
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