Tomahawk #4/1969
In "Rangernas elddop!", the shadow of debt looms over the frontier as Black Bill, a ruthless moneylender, schemes to seize ranches from struggling owners. With the payment due via stagecoach, the townsfolk brace for a dangerous journey—only to find the convoy ambushed by Black Bill’s gang. Frank Bolle’s dynamic art brings the tension to life, while Fred Ray’s cover captures the stakes in bold, dramatic strokes.
Vackre Jack runs a saloon that draws in violent men, turning the town into a powder keg. When a new sheriff arrives with a quiet determination, the tension in the streets begins to rise—especially as Steve Brand steps into the fray.
When the ghost rider of Vidskepelsens berg begins terrorizing the frontier, a young man named Ephraim Morgan uncovers a chilling secret: the haunting is a ruse to drive off settlers and protect a hidden hoard of stolen cattle. But what lies beneath the mountain's eerie reputation?
In the tense frontier of 1777, a young American soldier of German descent, Hans Müller, is taken by British forces to translate urgent orders—only to find himself caught between loyalty to his heritage and the war’s brutal realities. With George Washington’s shadow looming over the conflict, Müller must navigate a dangerous game where language becomes a weapon and every word could cost a life.
When a payroll shipment meant to save struggling ranchers from foreclosure is stolen by Svarte Bill and his gang, Tim Holt finds himself caught between the law and a growing tide of desperation. With Chito, Danny Dale, Steve Gale, and Chuck all counting on the money to keep their livelihoods alive, the fate of the frontier hangs in the balance — and the horse Blixten may be the only thing keeping Tim Holt from riding into a trap.
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↩ Reprints Tim Holt #18 (1950), Bobby Benson's B-Bar-B Riders #2 (1950), Tim Holt #20 (1950), Best of the West #6 [A-1 #70] (1952), Tim Holt #35 (1953), White Indian #14 [A-1 #117] (1954), Tomahawk #119 (1968), Jackie #1/1969 (1969), Kitty #1/1969 (1969)
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