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Timmy the Timid Ghost #42 cover
Cover: Jon D'Agostino
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Timmy the Timid Ghost #42

Jan 1964 · Charlton · 0.12 USD
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This issue is an anthology featuring two stories. "Rough and Tumble" depicts a small white dog encountering larger, aggressive dogs in a confrontation that turns violent. "Timmy the Timid Ghost" follows Timmy and a witch companion on a chaotic adventure that includes overeating, a near-fatal flight through a city (where they crash into a building), a journey to the sea where they encounter a sea monster, and a final battle with the creature as Timmy and the witch work together to fight back.

Contains 3 stories
To Ride a Bald Broom
7 pp · Humor

When Timmy and his friend Wilma spot an exciting medieval parade in Florence on the news, they decide to make the trip to Italy themselves—with Wilma's trusty flying broom as their ticket overseas. But there's a catch: Wilma's broom looks a bit shabby for an international journey, and the pair's attempts to spruce it up lead to some hilarious mishaps before they can finally set off in style.

Rough and Tumble
5 pp · Humor, Anthropomorphic-Funny Animals

Timmy the Timid Ghost helps Miss Prissy adopt what she believes is a sweet, gentle pup—only to discover the little dog is actually a scrappy fighter with a reputation. When a burglar named Mugsy Jones breaks into Miss Prissy's home while she's away, the timid ghost watches as the pup's true nature proves far more valuable than his owner ever imagined.

Anyone for Spaghetti?
13 pp · Humor

Timmy the Timid Ghost and his companion Wilma set out on a trip to Italy, but first have to navigate the bureaucratic gauntlet of obtaining passports—a task that proves surprisingly chaotic when a ghost can't even appear in photographs. After jumping through hoops at the Federal Building, dodging the photographer's lens, and enduring a painful all-in-one vaccination from a well-meaning doctor, the pair attempt their sea voyage, only to find their plans derailed by storms and an Italian ship heading back to New York instead.

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Full credits

cover pencils, inks Jon D'Agostino

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