Tim McCoy #18
☆ Be the first to review + Add to your collection — Join freeIn "George O'Brien," Tim McCoy takes on a high-stakes mission when Bart Kane and his gang hijack a stage carrying gold bullion, forcing Tim Hayes to go undercover as a Mexican to infiltrate the outlaws. Penciled and inked by James McKell, the story unfolds with tense suspense and classic Western grit, while Mario DeMarco’s striking cover captures the danger and drama of the heist.
George O'Brien was no ordinary Western star—before he ever faced a camera, he was the light-heavyweight boxing champion of the Pacific Fleet during the First World War, and his life reads like an adventure novel spanning Europe, Asia, and South America. From his start as a cameraman at Tom Mix's rodeo in 1920 to his breakthrough role three years later, O'Brien built a reputation for doing his own dangerous stunts, earning over twenty-five injuries in the process to prove his dedication to authentic Western action.
In "Two Gun Justice," Tim Hayes infiltrates Bart Kane’s gang by posing as a Mexican, slipping into their ranks to uncover the truth behind a gold bullion heist. With danger lurking at every turn, he must stay one step ahead of outlaws who know nothing of his real identity.
Ken Curtis, a Colorado ranch hand who spent his formative years in the saddle, served two and a half years in the military before heading to Hollywood to pursue his singing career. Studio executives were so impressed by his Western songs that they signed him to a long-term contract, and he's now starring in a string of Westerns for a major film studio. It's the kind of genuine cowpoke-to-cinema story that reminds you why the West still captures our imagination.
When a U.S. Cavalry officer posing as a fugitive named Johnny Drum crosses paths with outlaw Whit Lacey, an unlikely bond forms between them—one that puts Drum's true mission and his growing feelings for a woman named Lin in direct conflict. As schemes involving stolen horses, mine sabotage, and frontier justice collide, Drum must navigate the murky loyalties of the Old West to decide where his true allegiances lie. "The Plunderers" weaves action, betrayal, and complicated friendship into a story that proves the early frontier was a place where law and lawlessness could wear the same face.
In the early 1920s, a young extra named Gary Cooper was told to abandon Hollywood and return to his father's Montana ranch, but his determination kept him in the picture business. The Helena-born performer, who had worked as a cartoonist before entering films, went on to become a top-flight action star, earning his place in Western cinema through memorable roles in pictures like The Texan, The Man from Wyoming, and The Virginian.
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Reprinted in Sunset Carson Comics #3 (1951)
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