The Unexpected #133
☆ Be the first to review + Add to your collection — Join freeIn "Agnes Doesn't Haunt Here Anymore!", a cursed wooden statue becomes the source of terrifying power for a woman whose spirit lingers only so long as her likeness remains intact. When her lover steals the sculpture and mounts it on his ship, the fate of both is sealed as the sea claims the vessel—and with it, her final tether to the living world. Judge Gallows presents this chilling tale of love, loss, and the price of immortality.
In the isolated penitentiary of Maricombe Island, guard Letrec pushes prisoner Dubois to the edge, testing his will with relentless torment. But as Dubois endures without breaking, Letrec begins to unravel—his grip on sanity slipping as the line between captor and captive blurs.
In "Tattoos of Doom!", a man whose body is covered in intricate tattoos begins to notice strange images emerging on his skin—images that eerily predict disaster. But beneath the surface of this eerie phenomenon lies a far more calculated deception, as the tattoos serve as a clever cover for a series of hidden thefts.
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Reprints
↩ Reprints House of Mystery #8 (1952), House of Mystery #21 (1953)
Reprinted in Shock Classics #15 (1973), Skrækmagasinet #9/1973 (1973), Weird Mystery Tales #6 (1973), Skrækmagasinet #11/1973 (1973), Skrekk Magasinet #9/1973 (1973), Horror #14 (1973), Skrekk Magasinet #10/1973 (1973), Horror #15 (1973), Shock Classics #29 (1974), Skräckmagasinet #6/1974 (1974), Skrekk Magasinet #6/1974 (1974), Horror #23 (1974), Weird Mystery Tales #13 (1974), Weird Mystery Tales #14 (1974), Démon #1 (1976), Démon #2 (1976), Doomsday Album #17 (1980), Dario Argento presenta Profondo Rosso #4 (1991), Dario Argento presenta Profondo Rosso #7 (1991), Skräckmagasinet #10/1973
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