The Fighting Yank #7
☆ Be the first to review + Add to your collection — Join freeFighting Yank #7 (February 1944, Pines/Nedor) earns its key-issue designation as the debut appearance of the Grim Reaper — Bill Norris, a non-powered American exchange student turned Nazi-fighting masked adventurer — who proved popular enough to be fast-tracked to headlining his own title within three months of this tryout. That rapid promotion, from back-up slot in a co-star's book to cover feature of the newly launched Wonder Comics #1 (May 1944), speaks to the character's immediate editorial traction at Nedor and marks #7 as one of the more productive 'hero factory' issues of the wartime Golden Age. The issue also anchors the Fighting Yank's own mid-run, a solo series that had already established Bruce Carter III as one of Nedor's most durable patriotic headliners, supported by the eye-catching wartime cover work that made the title a visual touchstone for the publisher's output.
The Fighting Yank battles Nazi agents who attempt to sabotage a film production by infiltrating the movie set. When the Yank is captured, he must fight for his life against enemy soldiers before being brought before a Nazi tribunal for execution. The Grim Reaper intervenes to help the Yank escape his captors and face Nazi justice.
When the Grim Reaper discovers a man of true courage—Anton Gyssen—condemned to hang for his sabotage against the Nazi war machine, he sees the perfect ally for an even more dangerous mission: infiltrating a concentration camp to free Allied pilots held prisoner beside a heavily fortified German airfield. With the Grim Reaper working from the shadows and Anton posing as a willing collaborator, the two must move swiftly and silently to pull off a rescue that the Nazis believe impossible.
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We Buy Collections ▸History
The Fighting Yank series launched in September 1942 under publisher Ned Pines (Nedor/Standard/Better Publications), spinning the character off from his debut in Startling Comics #10 (September 1941), where he had been created by writer Richard E. Hughes and artist Jon L. Blummer. By issue #7, Hughes — who served as writer-editor — was already developing new characters within the title's pages; the Grand Comics Database credits writer Irwin Brower (signed) with the Grim Reaper's debut story, and identifies interior art contributions including work attributed to Everett Raymond Kinstler (signing as 'E. Raymond'), an early credit for the artist who would later become a celebrated portraitist. The GCD also notes that copyright registration for the issue was filed December 28, 1943, with the February 1944 cover date indicating the standard Pines publication pipeline.
Trivia · 7 facts
- First appearance of the Grim Reaper (Bill Norris), a non-superpowered masked adventurer who battles Nazis behind enemy lines — confirmed by the Grand Comics Database, Key Collector Comics, Wikipedia, and multiple collector reference sites.
- The Grim Reaper debuted here as a back-up feature and was promoted within three months to cover star of Wonder Comics #1 (May 1944); his origin was later elaborated in Wonder Comics #2.
- The Grim Reaper was created by writer/editor Richard E. Hughes; the debut story's script is credited to Irwin Brower, with interior art partially attributed (via textual analysis) to Everett Raymond Kinstler, a future Presidential portraitist signing early work as 'E. Raymond.'
- The issue's lead Fighting Yank stories introduced new villains Tamaka and Bruenig alongside Japanese-spy antagonists, reflecting the Pacific-theater wartime setting dominant in Nedor's 1944 output.
- The cover was produced by Alex Schomburg, Nedor's primary cover artist during the war years, who created more covers for Standard/Better/Nedor than for any other publisher — his wartime work on the Fighting Yank title is considered among the defining visual art of Golden Age patriotic comics.
- The issue was selected for inclusion in Take That, Adolf!: The Fighting Comic Books of the Second World War (Fantagraphics, 2017), edited by Mark Fertig, a scholarly anthology documenting WWII-era comics covers.
- The Grim Reaper was later revived in Alan Moore and Chris Sprouse's Tom Strong #11 and subsequently appeared in the Terra Obscura miniseries, demonstrating the character's enduring appeal as a public-domain Golden Age figure.
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Reprinted in Take That, Adolf!: The Fighting Comic Books of the Second World War #[nn] (2017)
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