Supercar #3
☆ Be the first to review + Add to your collection — Join freeIn "Trees, Number 3: Willows," Supercar crash-lands on a volcanic island during a scientific expedition, sending Dr. Beeker and the crew scrambling to gather data before the eruption. With the ship damaged by flying debris and fumes spreading through the air, Professor Popkiss pilots remotely while Mike swims to recover the craft—only to face a desperate race against time as the crew succumbs to the poison. Written by Paul Newman and illustrated by Ray Osrin, with a striking cover by George Wilson, this 1963 adventure blends high-stakes science and survival in a tense, atmospheric tale.
In "A Dangerous Rescue," Supercar crash-lands on a volatile volcanic island during a scientific mission, splitting the crew as they scramble to place instruments before the eruption. With the canopy cracked and poisonous fumes spreading, Professor Popkiss pilots the damaged ship remotely—only for it to drift into the ocean. Mike Mercury swims to retrieve it, then helps locate Dr. Beeker, ClearVu, and the others just as the fumes take hold. Amid chaos and danger, Mitch the Chimp makes a desperate move to launch Supercar skyward, and Mike must rally just in time to save them all.
In "Sky High," young Robert and his faithful Robot take an unexpected ride when a weather balloon sends them soaring into the sky—tangled in a rope, they’re lifted far above the ground. As the robot struggles to open the gas valve and the pair drifts over the ocean, a sudden breeze brings them down to a quiet beach, where Robert finds himself trapped until his robot comes to his rescue. Dad watches in wonder as his son’s bravery is mirrored by the machine’s loyalty—proving that even in the sky, the heart of a hero might not be human.
When a mysterious satellite appears in orbit and two others vanish, Mike Mercury and the Supercar team race to uncover the truth—only to crash-land in a jungle island where Masterspy has them trapped. With Zarin taking control of Supercar and Popkiss guiding from afar, the crew must outwit their captor and use the ship’s magnifying reflector to stop the enigmatic threat before it’s too late.
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Reprinted in The Art of George Wilson #[nn] (2025), Domingos Alegres #652
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