Strawberry 100% #14
☆ Be the first to review + Add to your collection — Join freeThis volume continues the romantic comedy series as Junpei Manaka navigates his feelings for the girls in his life, particularly Aya Toujou and Satsuki Kitaoji, while pursuing his dream of becoming a filmmaker. Volume 14 collects the next chapters of the manga, advancing the story toward its conclusion with typical mix of humor, drama, and romantic tension.
In "Shared Dreams," the tension mounts as Junpei’s proposal to cast Kozue in the lead role sparks a chain of counteroffers—Misuzu steps in with Aya, who then names Tsukasa as her pick. But Tsukasa, already committed to a trip to Paris to study under Higure, faces her own doubts, leaving the decision in limbo. Written by Mizuki Kawashita and Yuko Sawada, with art by Kawashita and inks by Kuniyuki Abe, Yasuko Umi, and Nana Sato, and lettering by Hudson Yards, this emotionally charged chapter unfolds with quiet intensity. The cover, penciled and inked by Mizuki Kawashita, captures a moment of fragile anticipation.
In "Shared Dreams," Junpei finds himself caught between his own culinary dreams with Aya and a surprising new connection with Tsukasa, whose ambitions mirror his own—only now he wonders if Tsukasa might be better suited to Higure, who shares that same passion. Yet despite the shift in perspective, Tsukasa still chooses to stay by Junpei’s side, leaving their bond both uncertain and full of quiet possibility.
In "The First Time?!", Jo finds herself caught in a whirlwind of awkwardness when she asks Junpei to take Kozue to the movies—only for the outing to be derailed by Hiroshi’s relentless camera and Rikiya’s endless girl-watching. With humor and heart, this slice-of-life moment captures the messy, sweet chaos of teenage connections.
After showing Kozue his student film, Junpei finds himself caught in an awkward silence with her—until she confides in Aya that she’s fallen for him, leaving their connection hanging in the balance.
In "Dress-Up Heroines," Hiroshi’s mischievous plan to prank the club backfires when his fake film of Junpei sets off a chain of chaotic cosplay antics. As the girls dive into playful costumes, the line between joke and embarrassment starts to blur—especially when the camera’s still rolling.
In "Heart, Bust And Sandwich," Kozue finds herself unexpectedly close to Junpei at a restaurant, spurred on by Mai’s teasing encouragement—only for Aya to leap in with her own brand of affection. But Junpei’s real motive isn’t romance: he’s after Kozue for a role in his next film, turning the moment into a chaotic mix of misunderstanding and quiet tension.
In "Two Of Us On The Train," Jo and her friends navigate the tangled web of unspoken feelings and sudden shifts in affection during a quiet train ride. When a last-minute casting change sends ripples through the group, old tensions rise—and unexpected doubts surface—leaving everyone wondering who truly belongs where.
In this lighthearted two-pager from *Strawberry 100%* #14, Hiroshi proudly shares a promotional film he made for the club—only to realize too late that he accidentally left in a shot of the girls’ locker room at the end. The moment captures a mix of awkward tension and playful embarrassment, all in classic humor style.
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