Storyteller Without Words: The Wood Engravings of Lynd Ward #[nn]
☆ Be the first to review + Add to your collection — Join freeA haunting woodcut narrative from 1974, Storyteller Without Words: The Wood Engravings of Lynd Ward presents "Gods' Man I. The Brush"—a silent, deeply atmospheric tale told entirely through Lynd Ward’s masterful woodcuts. As a young man named Madman rises through knowledge and hardship, a mysterious piper follows him through generations, weaving through moments of triumph and tragedy. The story unfolds with quiet intensity, its power rooted in Ward’s stark imagery and the weight of a life shaped by unseen forces.
In *Gods' Man I. The Brush*, Lynd Ward’s haunting wood engravings bring to life a wandering artist’s journey across storm-lashed waters to a foreign shore. Starving and desperate, he offers his art in exchange for food, only to be scorned—until a mysterious figure purchases his work and gifts him a legendary brush, one that has touched the hands of masters past. With quiet awe, the artist signs a contract, unaware of what the brush truly demands.
In this evocative silent story, a struggling artist finds sudden fame after discovering a mysterious new brush, drawing admirers and wealth with every stroke. His fortunes rise swiftly—lavish clothes, a grand studio, and an introduction to a dazzling woman, the mistress, whose presence is as carefully orchestrated as the art that made him famous.
In *Gods' Man III. The Brand*, Lynd Ward’s stark woodcuts bring to life a haunting descent as an artist uncovers a chilling mark on the woman he loves—her skin branded with the symbol of money. As he wanders the city, haunted by visions of her in shadowed, degraded scenes, his world collapses further when he’s seized by her lovers, condemned by corrupt figures, and driven out by a mob led by the very dealer who once praised his work.
In this quiet, wordless tale from Lynd Ward’s *Storyteller Without Words*, a young woman’s chance encounter with a broken artist on a sunlit hillside unfolds into a tender, mysterious bond. Through Ward’s masterful woodcuts, their lives intertwine as she cares for him, guides him through the wild beauty of mountains and stars, and shares the joy of new life beneath the open sky.
In this haunting silent story from Lynd Ward’s *Storyteller Without Words*, a devoted father and his child share a life of quiet joy, their days filled with art and togetherness. When a mysterious stranger returns with the enchanted brush that sparked his talent, the artist is drawn into a fateful session that unravels everything he knows. With Lynd Ward’s masterful woodcuts capturing every shadow and shift in emotion, *The Portrait* unfolds as a chilling meditation on creation, obsession, and the price of beauty.
In *Madman's Drum*, Lynd Ward crafts a haunting, wordless tale of legacy and loss, following a man whose life is shaped by a mysterious drum and a silent, persistent piper. As generations pass and tragedy strikes—first a son wrongfully hanged, then a daughter broken by betrayal—Madman’s journey becomes a quiet reckoning, culminating in a final, enigmatic departure with the piper.
In *Wild Pilgrimage*, Lynd Ward’s stark woodcut illustrations bring to life a quiet man’s journey from a suffocating industrial city to the wild countryside, where he encounters both beauty and brutality. As he moves from one farm to another, his growing awareness of injustice stirs a dream of rebellion that pulls him back to the city’s crumbling heart. The story unfolds in haunting silence, its emotional weight carried entirely by Ward’s powerful, expressive images.
In "Prelude to a Million Years," Lynd Ward’s stark woodcuts bring to life a solitary artist haunted by memory and the crumbling world around him. As he grapples with a vision of a woman from his past, the city erupts in chaos—violence, repression, and fleeting moments of absurdity—each moment pulling him deeper into longing. The story unfolds in silent, powerful images, where every cut of the wood engraving carries the weight of a world on the edge.
In "Song Without Words," Lynd Ward’s haunting wood engravings bring to life a young expectant mother’s harrowing journey through the shadowed landscapes of Fascism and the Great Depression. Through stark, expressive imagery, she confronts the suffering of children in war and in camps, her inner turmoil mirrored in the surreal, oppressive world around her. When she finally gives birth, the story turns toward quiet resilience as she and the child’s father find a fragile sanctuary in their newborn’s presence.
In Lynd Ward’s poignant woodcut narrative *The Girl*, a young couple’s bright hopes after high school crumble under the weight of the Depression. As the young man leaves town in search of work and the girl sacrifices her dreams to care for her blinded father, their lives spiral into hardship—until they stand together in a long line, waiting for relief.
In this quiet yet powerful drama, an elderly gentleman whose life is steeped in art and elegance finds his world upended when his company’s fortunes wane. As he responds with increasingly harsh measures—cutting wages, breaking strikes, and summoning troops—the weight of his choices begins to take its toll. Lynd Ward’s masterful woodcut illustrations bring this moral reckoning to life, capturing the quiet tension between refinement and consequence.
In this stark, wordless drama, a young man named Jo leaves the girl he loves and sets out into the world, only to become the lone witness to a tragic accident. After stealing the victim’s clothes and returning to the city, he drifts through desperation—refusing to break a strike, fleeing from crime, and finally selling his blood to a dying man—before making a quiet, uncertain return to the girl. Lynd Ward’s powerful woodcut illustrations bring raw emotion to every page, capturing a journey defined by quiet resilience and the fragile hope of reunion.
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Reprints
↩ Reprints Gods' Man #[nn] (1929), Madman's Drum #[nn] (1930), Wild Pilgrimage #[nn] (1932), Prelude to a Million Years #[nn] (1933), Vertigo: A Novel in Woodcuts #[nn] (1937)
Reprinted in Lynd Ward[:] Gods' Man * Madman's Drum * Wild Pilgrimage #[nn] (2010)
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