Romeo #10 April 1971
☆ Be the first to review + Add to your collection — Join freeIn "A Phone Box Built for Two," Sandie’s clever attempt to win attention from the new assistant backfires when her disguise as a Chinese performer leads to an unexpected revelation. Guido Buzzelli’s expressive art brings the quiet tension of the moment to life, capturing the subtle shifts in mood as secrets begin to surface. The cover by Tony Hudson perfectly frames the story’s playful yet poignant tone.
In "Just Shut Up and Kiss Me," Anne intervenes when a stranger is attacked for trying to protect a rabbit from a stone-throwing gang, bringing him home to tend to his wounds—only to face tension with her boyfriend over the unexpected guest. The quiet moment between Anne and the injured man sparks something charged, setting off a delicate, unspoken current between them.
In a playful twist of mistaken identity, Sandie dons Chinese garb in a bid to catch the eye of the new assistant, whom her boss insists is quite the looker. Her scheme takes an unexpected turn when the assistant, Kookie, slowly uncovers the truth about Jackie’s real identity—though how or when remains delightfully unclear.
In "Those Were the Days," a ghostly presence lingers in an old house, quietly observing the present through the eyes of a young woman named Jo, drawing quiet parallels between her struggles with her father and those of another girl, Martha, decades before. Written by an unknown author and illustrated by an unknown artist, the story unfolds with a gentle, reflective tone, weaving memories across time.
In a quiet moment charged with tension, Rod steps in to protect Johnny when she’s attacked by a gang. Later, Johnny reveals a painful secret—she was part of the group that robbed her own father’s garage—and confesses she plans to turn herself in.
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