Romantic Confessions #3
☆ Be the first to review + Add to your collection — Join freeIn "I Was the Wholesome Type," a 1949 romance thriller from Hillman, airline hostess Eileen finds herself caught between two pilots—Steve and Bart—whose rivalry takes a dark turn when Steve’s wartime trauma spirals into obsession. With art by Al Ulmer and a striking cover by John Prentice, the story unfolds with emotional tension and a haunting twist that reshapes everything.
In "I Was the Wholesome Type," Penny longs for the attention her glamorous sister Gail always gets—especially from Bob, who only sees Gail as the perfect choice. When Penny secretly swaps her sister’s photo in a contest, the unexpected fallout changes everything, leading Bob to see her in a new light. Written by an unknown author and illustrated by an unknown artist, this heartfelt 1949 romance unfolds with quiet sincerity and a touch of mistaken identity.
In "I Must Forget Eileen," airline hostess Eileen finds herself caught between two pilots—Steve and Bart—whose rivalry takes a dark turn when Steve, haunted by a war injury, spirals into madness after losing her. Years later, Bart, now working for a small company in Brazil, is sent on a flight that brings him face-to-face with Eileen at the site of a plane crash, where she claims Steve is still alive and recovering in a sanatorium. The story unfolds with quiet tension and emotional weight, as past wounds resurface and the fragile hope of reconciliation hangs in the air.
In "Do You Think You Own Me?", Jo finds herself at a crossroads after ending things with Kitty, who’s too possessive for her taste. Seeking clarity, she visits Sally, her former friend turned receptionist, only to hear a surprising take on women’s nature—leaving Jo with a sudden, quiet realization. The story unfolds with tender urgency as Jo returns to Kitty, not to reconcile, but to face what’s truly between them.
In a quiet town where secrets simmer beneath the surface, Elaine finds herself drawn to the charm of a new arrival, Brad—only to learn he’s not who he seems. When Brad’s investigation into a long-ago scandal threatens to unravel her father’s reputation, Elaine must confront the choices she’s made and the truth about who truly matters.
In a quiet 1949 tale of heart and hesitation, secretary Lynn finds herself caught between duty and desire when her boss, lawyer Martin, grows distant after she suggests he take on wealthier clients. When a tragic accident involving the son of Martin’s old friends brings a wave of hardship into their lives, Lynn begins to see the deeper stakes of justice—and her own feelings. As Martin’s choices are tested, a quiet moment of connection sparks between them, leaving their future uncertain.
In "I Lied to Myself About Men," art student Joan navigates the fragile line between self-protection and longing, using flirtation as a shield against the emotional distance she felt as a child. When composer Frank enters her life, his aloofness and apparent interest in others challenge her defenses—until he reveals he’s been playing a game of his own, testing the very reputation she’s built. The story’s quiet intensity, rendered with care in the 1949 issue, captures a moment of emotional reckoning where honesty might finally break through the walls she’s spent years constructing.
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Reprinted in Weird Love #12 (2016), Weird Love #4 (2016)
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