Romantic Confessions #10
☆ Be the first to review + Add to your collection — Join freeIn "Love Is for a Cottage...", Jo Ann tries to rebuild her life after a family scandal, taking a job with lawyer Claymore despite her father’s disapproval. Drawn to both Bob, her father’s co-worker and an ex-Marine, and Claymore’s reckless son Randy, she navigates tangled emotions and secrets that come to light when she uncovers a conspiracy involving the Claymores. With art by John Prentice and lettering by Ben Oda, this 1950 romance explores quiet regrets and the fragile hope of reconciliation.
In "Love Is for a Cottage...", newlyweds Charles and Harriet trade cramped city living for a weathered lakefront cottage, trading apartment woes for a shared dream of building a home together—hand in hand with Harriet’s family, who rally around the renovation.
In "All Fingers Were Pointed at Me...", Jo Ann struggles to rebuild her life after her father’s business scandal tarnishes her reputation. Working for lawyer Claymore, she finds herself drawn to ex-Marine Bob, though she hesitates to act on it—especially as she pursues the reckless Randy, Claymore’s son. When she uncovers the truth about the Claymores’ role in her father’s downfall, Jo Ann faces a painful choice between justice and the chance to mend old wounds.
In "When I Marry..." from Romantic Confessions #10 (1950), Rosalie tries to impress her uptight supervisor Harold by putting on a polished show for her family, but soon finds his refined demeanor masks a cold, self-centered nature. Her real happiness comes not from the polished façade she’d hoped for, but from the unexpected warmth of the man she’d quietly chosen all along.
In "I Was a Week-End Girl...", Marcia, a department store employee, confides in her manager, Mr. Daily, about a painful mistake: chasing wealth at a country club dance, only to realize too late that her true feelings were never for the rich, but for her law student boyfriend, Al. When the man she pretended to be with sees through her act—because he’s doing the same thing—Marcia must face the consequences of her choices.
In "Big Moment," Minnie finds herself caught between romance and a very literal interpretation of the mood when her date, Indian brave Flatfoot, sees the moonlit night as the perfect time for a "massacre" — not a serenade. Written by an unknown author and illustrated by an unknown artist, this one-page 1950 humor gem captures a moment of cultural misunderstanding with a wink and a smile.
In "What One Man Meant to Me...", newspaper photographer Rod and reporter Betty share a close friendship built on trust and shared work—until Betty begins seeing the charming but shady Joe. When Rod captures a gambling raid on film and recognizes Joe among the suspects, he protects Betty by claiming the photos were ruined, costing him his job. Later, when Betty discovers Joe’s true role in the operation, it’s Rod who comes to her rescue—both from danger and the lies she’s been told. Their bond, tested by loyalty and quiet courage, leads to a heartfelt resolution neither expected.
Find on ebay
Read it digitally
Sell my copy
Have this issue — or a whole collection? Get a fair offer from us, skip the marketplace fees and the hassle.
We Buy Collections ▸Full credits
Reviews
Reader reviews
No reader reviews yet.