Relatos Salvajes #15
"El dominio de Satan" in Relatos Salvajes #15 (1974) delivers a chilling sci-fi twist on crime and desperation, as an escaped convict dons a radiation-proof suit under a false identity. With Jack Kirby’s dynamic art and Dick Ayers’ sharp inks, the story unfolds as the man’s initial escape spirals into a dangerous spree—only to be undone by a deadly truth he can’t escape. The cover by López Espí captures the eerie, otherworldly tone of a man trapped by his own survival.
In "La cosa llamada Metallo!", a fugitive using a false identity dons a radiation-proof suit, unaware of its true potential—until he discovers its power and turns to a life of crime. But when he learns the suit is his only hope of survival, he must choose between escaping capture or staying sealed inside it, facing a slow death on his own terms.
In "El hombre que no era un hombre," a well-meaning inventor tries to give a youth serum to the oldest resident of a retirement home, only to discover the man isn’t human at all—his refusal to be young is the last defense before a hidden alien form emerges, triggering an inevitable shift. Written and illustrated with quiet dread, this 1974 science fiction tale from *Relatos Salvajes #15* turns a simple act of kindness into a chilling revelation.
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↩ Reprints Journey into Mystery #16 (1954), Marvel Tales #129 (1954), Tales of Suspense #16 (1961), Devilina #1 (1975)
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