Quotidien délirant #[nn]

In the whimsical chaos of a family picnic, Flora and Ovidio set the table while Arturita’s mother calls for her brother—only for Carmelo to burst in, breathless and eager, demanding a mascot. What the wandering vendor then pulls from his cart is anything but ordinary, turning the afternoon into a delightfully absurd spectacle.

In "Jetée à la rue," Laurita and Ginès step out of the office for a simple chat, but their casual outing quickly spirals into a web of workplace assumptions—every colleague and friend they pass assumes they're a couple, turning a routine moment into a surreal game of misinterpretation.

In "Pas de panique," Jo faces the slow, absurd machinery of bureaucracy in a quiet yet crushing satire of red tape. As he waits endlessly to secure a vital document, the rhythm of office life drags on—each delay a small defeat, each form a new hurdle.

Adolfa sets off on the Camino de Santiago with her family, driven by a promise made to Saint James—if her son gets into university, she’ll walk the pilgrimage. What begins as a hopeful journey through the French countryside soon turns into a series of absurd, satirical misadventures, as the family’s stubbornness, petty squabbles, and misinterpreted signs test their resolve.